Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, June 25, 2023

Album review: Matt Holborn's Learn to Draw - *here (and other stories)

Matt Holborn (violin); Kourosh Kanani (guitar); Domenico Angarano (bass); Joost Hendrickx (drums) + on track 6 Miranda Lewis Brown (cello); Julia Reis (viola) 

Matt Holborn's new album *here (and other stories) is the debut release from the violinist's Learn to Draw project. A noted Djangologist and a fixture on the London jazz scene, Holborn has assembled a top class quartet - guitarist and fellow Djangologist Kourosh Kanani, bassist Domenico Angarano and drummer Joost Hendrickx - augmented on Learn to Draw (the sixth track on the album) by two string players from the London-based J.A.M. ensemble - Miranda Lewis Brown, cello, and Julia Dos Reis.  

The product of a Hull Jazz Festival commission, the recording's seven tracks are something of a departure from the music associated with the London Django Collective. Embracing a wide range of styles and influences from Eastern Europe, India, America and beyond, Here is a suite of tunes inspired by, perhaps depicting, some of the many facets of Hull, Holborn's home town. Prior to going into the studio, Holborn made a point of returning to the city to reacquaint himself with his childhood haunts, to the extent that he signed up to a guided tour of the city. Paul, the tour guide on the day, lends his name to the opening track - Here suite - Paul's Round.

Jazz, folk and more, with melody at its core, the varied, disparate sounds are, perhaps, a response to Hull's historical links with people and communities from across the globe. The album's press release refers to Learn to Draw's 'indie tinged study of 3 part string writing combined with sections of improvised string ensemble playing'. It's likely that written and improvised sections are at the heart of each track. The album's forty six minutes' worth of material demands repeated listening which, no doubt, will reveal more riches.                              
Learn to Draw's *here (and other stories) is available from www.mattholborn.com. Russell

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