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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, June 20, 2023

Sunday night @ the Globe: Graham Costello’s Strata - June 18 (also album review)

Graham Costello, (drums); Fergus McCreadie (piano); Harry Weir (tenor sax, bass clarinet); Kevin Cahill (guitar); Gus Stirrat (electric bass).

(On the album: Joe Williams (guitar) and Angus Tikka (bass) replace Cahill and Stirratt and Liam Shortall plays trombone)

Sometimes a concert is a good way into an act or an album that had previously been beyond reach. (This happened for me with Acoustic Ladyland and Polar Bear. Seeing them live made everything click.) Sometimes it’s the other way round and listening to the album provides a way into a better understanding of the gig you saw the night before. This latter, for me, is the point I have arrived at after seeing Graham Costello’s Strata on Sunday night at the Globe. Listening to Obelisk, the album they were promoting at the gig, you get a sense of where the name, Strata, came from. There are layers to this music and you can spend repeated listens geologically exploring what is going on at different levels. This pleasure is one that, inevitably, is denied in a live setting but other factors usually more than compensate.

First off, I have to say that I think Graham Costello is an outstandingly good drummer and one that would enhance any band he joined. He needs to be in a band, (not leading one), of musicians that can operate at his energy level. The weakness, live, is I think, in the composing and arranging. What works well on the album is lost live. Subtlety is the first and major victim. Live, there are peaks and troughs as climaxes are reached and quieter moments pass before another crash on the spiralized cymbal (see photo) signifies a return to storm and tempest. Very quickly everything started to sound a bit the same as tracks fused into one another and followed the same routine of quiet and loud passages with most of the non-drum solos overwhelmed by the noise.  As William Shakespeare said in his review of the band, 'It is full of sound and fury, signifying nothing.' Perhaps it was the fact that I was sat closer than anyone else to the drummer and anything I heard had to get past him first!

There is further frustration in that three of the five musicians on stage are underused. Drum and bass provide some brilliant rhythmic work but it’s astounding to see a pianist like Fergus McCreadie doling out simple vamps with his left hand whilst drinking tea with his right. It was as if Costello had shackled a racehorse to a plough.

I would strongly recommend Obelisk the album and my copy has made it to that coveted end of the shelf where the albums of the year get to live until the top ten is compiled in December. The album was available at the gig and can now be bought HERE through Bandcamp in physical or digital formats. Dave Sayer

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