Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, June 13, 2023

Book review: Alyn Shipton - The Gerry Mulligan 1950s Quartets

The ninth volume in OUP's Studies in Recorded Jazz series, based around Gerry Mulligan's 1950s quartet recordings, and meticulously covered in detail by musician, bandleader, broadcaster, author and jazz authority Alyn Shipton, is surely the definitive work yet to appear on one of the, if not the, greatest jazz baritone saxophonists of all time.

As the title implies, the writer concentrates on that magical decade where, apart from the hard bop sounds that were emerging from the Blue Note studios, there were also various chamber jazz ensembles emerging such as the Modern Jazz Quartet and Dave Brubeck. However, not only did Mulligan get in there ahead of the rest but he was, arguably, at that time the first to do so without harmonic support from piano or guitar.

Baritone and trumpet, initially with Chet Baker and later with Jon Eardley, Art Farmer and Bob Brookmeyer (on valve trombone),  plus bassists such as Bob Whitlock, Carson Smith or Bill Crow and drummers Chico Hamilton, Dave Bailey and Gus Johnson, the quartet carved their names in jazz history.

Shipton analyses each session in depth, frequently including printed transcriptions to demonstrate a particular point.

These are invaluable except: They are written in concert key making it essential for an instrumentalist to transpose to make them playable. The author explains that this is to make it easier for the reader to assimilate the harmonies or for a pianist to play over on the piano. This would work if it had been in a ring-bind folder ... 

However, apart from that - and if you are of an age to have grown up with the quartets your eyesight couldn't cope anyway - this is, without doubt, the definitive work. Not just about the quartets but also his earlier work as sideman/arranger with Thornhill, Krupa and Miles and the later recordings and tours with the Gerry Mulligan Concert Jazz Band - one of the great 'mini' big bands (13 pieces).

Although Mulligan's early heroin addiction (it came with the territory back then) and his subsequent imprisonment is dealt with factually it is neither glamorised nor sensationalised as was the case with so many of his contemporaries most notably Chet Baker.

Likewise, his private life whilst noted is respected up to the death of the love of his life Judy Holliday.

There's an excellent discography that had me digging out those albums I already have whilst making notes to check out those ones that I don't have.

Highly recommended. Lance 

Alyn Shipton: The Gerry Mulligan 1950s Quartets. Publisher: Oxford University Press ISBN 978-0-19-757976-3

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