Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Mon 10: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm.Free.

Tue 11: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Wed 12: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Jam session @ The tannery, Hexham. 7:00pm. Free.
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 12: Look Left @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Tuesday, June 13, 2023

Book review: Alyn Shipton - The Gerry Mulligan 1950s Quartets

The ninth volume in OUP's Studies in Recorded Jazz series, based around Gerry Mulligan's 1950s quartet recordings, and meticulously covered in detail by musician, bandleader, broadcaster, author and jazz authority Alyn Shipton, is surely the definitive work yet to appear on one of the, if not the, greatest jazz baritone saxophonists of all time.

As the title implies, the writer concentrates on that magical decade where, apart from the hard bop sounds that were emerging from the Blue Note studios, there were also various chamber jazz ensembles emerging such as the Modern Jazz Quartet and Dave Brubeck. However, not only did Mulligan get in there ahead of the rest but he was, arguably, at that time the first to do so without harmonic support from piano or guitar.

Baritone and trumpet, initially with Chet Baker and later with Jon Eardley, Art Farmer and Bob Brookmeyer (on valve trombone),  plus bassists such as Bob Whitlock, Carson Smith or Bill Crow and drummers Chico Hamilton, Dave Bailey and Gus Johnson, the quartet carved their names in jazz history.

Shipton analyses each session in depth, frequently including printed transcriptions to demonstrate a particular point.

These are invaluable except: They are written in concert key making it essential for an instrumentalist to transpose to make them playable. The author explains that this is to make it easier for the reader to assimilate the harmonies or for a pianist to play over on the piano. This would work if it had been in a ring-bind folder ... 

However, apart from that - and if you are of an age to have grown up with the quartets your eyesight couldn't cope anyway - this is, without doubt, the definitive work. Not just about the quartets but also his earlier work as sideman/arranger with Thornhill, Krupa and Miles and the later recordings and tours with the Gerry Mulligan Concert Jazz Band - one of the great 'mini' big bands (13 pieces).

Although Mulligan's early heroin addiction (it came with the territory back then) and his subsequent imprisonment is dealt with factually it is neither glamorised nor sensationalised as was the case with so many of his contemporaries most notably Chet Baker.

Likewise, his private life whilst noted is respected up to the death of the love of his life Judy Holliday.

There's an excellent discography that had me digging out those albums I already have whilst making notes to check out those ones that I don't have.

Highly recommended. Lance 

Alyn Shipton: The Gerry Mulligan 1950s Quartets. Publisher: Oxford University Press ISBN 978-0-19-757976-3

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