Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, March 22, 2023

Album review: Larry Bluth Trio - Never More Here

Larry Bluth (piano); Don Messina (bass); Bill Chattin (drums)

Another piece of Tristanoism emerges. This time in the form of Larry Bluth, a pianist and a Tristanoite by proxy of having studied with Lennie Tristano's most well-known piano student Sal Mosca.

Hopefully, the release of this album and the Mosca album reviewed a couple of days back may lead to a renewed interest in Tristano and his followers of whom I'm rapidly becoming one. This may sound like heresy and it probably is but, much as I love Monk, apart from Stan Tracey, his imitators tend to sound like Les Dawson!

Listening to this superb trio album (bassist Messina is another member of the T Club and drummer Chattin is also a card-carrying member) makes me realise how important Lennie was in the evolution of modern jazz and how proud he would have been to know that his legacy had been carried on so well by Mosca and Bluth. All three are now gone but, hopefully there are pianists out there carrying on the tradition.

The late George Wallington was one who's career paralleled Lennie's and bore stylistic similarities.

Another was, unbelievably, a man who never recorded and played in a CIU club in Hebburn with Bill Shaw on drums!

This was John Short - a long forgotten Hebburn musician remembered only by those club 'turns' who tried to sing Delilah over complex diminished chords and ruptured ninths with which John 'enhanced' their performance. Nevertheless, he was an outstanding musician who was way ahead of his time on South Tyneside and maybe anywhere else had he chosen to expand his horizons further than the Colliery Club.

Getting back to the matter in hand. If you liked Lennie, you'll like this, if you liked Sal, you'll like this, if you like modern jazz when jazz was modern, you'll LOVE this. Lance

Klactoveedsedsteen; Sweet and Lovely; Sippin' at Bell's; A Ghost of a Chance; Yesterdays; Riverdale; Larry's Line; These Foolish Things; Sound-Lee.

Available on Fresh Sound Records FSR-CD5068

1 comment :

Unknown said...

You're so right Lance to mention pianist John Short in the S Tyneside area. I was lucky enough to be in his Trio for a while working at "The Kismet Club" and "The Shore Line Club" These jobs were an education in life......
For our supper at the Kismet we were given a few chips and a little curry sauce to dip them in..........!
John had a great talent and as you know, was taken from us too early from cancer....

Dave B.

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