The phrase "hits the ground running" is much used but, there are occasions when it's the only description that seems to fit. The opening track: Betty's Tune is just such a moment as it explodes like as though you've played an already uptempo 33rpm track at 45!
The vocal is by Whitaker's daughter Rockelle who, apart from writing the lyrics, delivers a 'ball out of the park' chorus that is quite amazing! Equally so are the trumpet, soprano and piano solos that precede Hall's drum blast with all underpinned by Rodney Whitaker's superb bass work.
In the main, hard bop. Music that swings like it did back in Blakey's day but with, perhaps, more subtlety and sensitivity. Stafford is simply as good as it gets now that Fats, Clifford, Lee and Freddie are gone. Warfield, a longtime associate of Stafford, too is a player to be reckoned with and Barth, Whitaker and Hall are as close to perfection as any mortal can expect to be. Rockelle's four vocals don't do any harm either and I look forward to hearing her on an album of her own.
All of the compositions are by Gregg Hill, surely one of today's great jazz composers, and he must surely be delighted by Whitaker's arrangements and, conversely, Whitaker and the band must be equally ecstatic over the material they are working with.
If this sounds like a rave review, I'll confirm it when I come down to earth! Lance
Available on Origin Records and via usual suspects.
Betty's Tune; Puppets; Minorablia; Interlude; Sunday Afternoon; The Jazzdiddy Waltz; S'Cool Days; Blues For Gregg; Fan-O-Gram; To the Well; Oasis.
1 comment :
It’s so wonderful to hear an objective voice say the same wonderful things about Gregg, his compositions, and his choice of musicians to play and arrange them that I have been saying since 2017! Lois Mummaw (Gregg’s wife and biggest fan ♥️)
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