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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16221 (and counting) posts since we started blogging 16 years ago. 103 of them this year alone and, so far, 47 this month (Feb. 18).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Sunday, January 15, 2023

BBC Radio Scotland axes Jazz Nights, Classics Unwrapped and Pipeline

(© Derek Clark)
(Press release) Recently, BBC Scotland has confirmed plans to wind up shows: Classics Unwrapped, Jazz Nights, and Pipeline. As Alan Morrison. head of music at Creative Scotland, said to The Scotsman: 

"The loss of expertly curated shows such as Classics Unwrapped and Jazz Nights, and a reduction of piping programming, would be a conspicuous blow to the musical diversity of Scotland's airwaves."


In recent years, jazz has flourished, with up-and-coming artists achieving national and international recognition. As the home of the Edinburgh International Festival, Scotland is at the centre of the global classical music world, and piping is critical to representing national identity at home and abroad. But, for a small country, we punch well above our weight. 

 

The continuing success of our music industry - at the centre of cultural life here at home and in representing Scotland on the global stage -depends entirely on the infrastructure to support and champion emerging artists. 

 

In recent days, many artists have spoken out about how crucial the support of these threatened programs has been to their rise to success. 

 

Scottish Album of the Year winner and Mercury Prize Nominee Fergus McCreadie said: "When I was 15, I made my first radio appearance as part of the Young Scottish Jazz Musician; when I was 17, I played my composition live on air for the first time; when I was 19, the programme was the first to play tracks from my very first album."

 

This decision comes at an enormously difficult time for all areas of the cultural and creative sectors; the pressures on the music industry are acute. However, we must do everything possible to protect the infrastructure supporting our fragile yet world-leading ecosystem at this pivotal time. 

 

The Scottish Government, through their meticulous study of other countries' cultural sectors, clearly understands that Art and Culture contribute significantly to a free and healthy society, and already in Scotland, the creative arts industries contribute 5.5 billion directly to the Scottish GDP. 

 

The BBC have a long and laudable history of supporting more minor genres and up-and-coming artists, as well they should. Their doing so is their civic duty. However, these cuts run contrary to the BBC's statutory mission to act in the public interest, serving all audiences through the provision of impartial, high-quality and distinctive output and services which inform, educate and entertain. 

 

The effect of these cuts will be devastating for Scotland's classical, jazz and piping scenes. 

 

We have engaged directly with BBC leadership at the highest level to reverse this terrible decision. We have been invited to meet the Head of Commissioning, Director of BBC Scotland, and Commissioning Editor for Radio, Music and Event.

 

Yours Sincerely, 

 

The Folk, Jazz, and Classical musicians of Scotland

  

“Axing these programmes is to perform a heartbreaking disservice to the irreplaceable role they have played in the lives of musicians and music lovers across the country and all parts of society.” Nicola Benedetti


"This decision will have a devastating impact on Scottish music. Without JAZZNIGHTS, new and established artists will struggle to find a reputable outlet to broadcast their art and reach audiences. I hope our First Minister Nicola Sturgeon takes action to save these vital programmes!" Georgia Cécile - Jazz FM Award 2022

 

"I, and many of my contemporaries, have spent decades working with the BBC to find a forward-thinking voice for Scotland's diverse cultural output. It's a real shame to see this apparent back step. I hope that considered and respectful discussion might bring about an alternative resolution to the proposed situation." Phil Cunningham


“I say “Now is the Time” to expand Jazz, Classical, and Folk, on BBC Radio Scotland, not cut its head off and make invisible a music which is flourishing in Scotland and internationally.” Tommy Smith

 

“The thrust of your new policy is like a self-inflicted BBC Radio Scotland suicide pact to push you further into the tailspin of a death spiral. We musicians have to band together to save you from yourselves.” John Wallace OBE

 

“I feel it’s imperative that BBC Radio Scotland supports jazz, other forms of music, and performing artists based in Scotland. Scotland has so much young talent that needs to be heard.” Dr Martin Taylor MBE

 

“BBC Radio Scotland’s support of jazz in this country is an essential part of the infrastructure in developing as a creative and performing artist living in Scotland. The presence of a Scottish-based Jazz Radio outlet expands our identity as a country worldwide and is integral in developing our home-grown artists.” Laura Macdonald – Saxophonist

 

“We must fight to save this and the other shows. The BBC is renowned the world over for its support for culture and the arts. Why is BBC Scotland abandoning this vital activity and damaging its own reputation?” Sir James MacMillan

 

“We at Scottish Opera stand in solidarity with those across the musical community, who are petitioning to reverse this decision. We urge BBC Scotland not to turn their backs on Scottish art forms and audiences, particularly when things are almost back to normal after the pandemic.” Scottish Opera, General Director Alex Reedijk

 

“Radio Scotland seems to be in full retreat from Scottish culture. Where is the poetry and literature? Now they are threatening to cut jazz, classical and piping programmes. We have a thriving arts and music scene in Scotland - why not on our national radio?” Kathleen Jamie, MAKAR of Scotland

 

“Cutting the support at home and removing opportunities for young and established musicians to showcase their music is a very regrettable mistake at a time where we should be championing Scottish culture and music more than ever.” Fergus McCreadie – winner of SAY Award 2022, Jazz FM Award 2022


“Jazz Nights on BBC Radio Scotland has been significant in allowing opportunities for many emerging young jazz musicians to broadcast and promote their own music. It just doesn’t sit right to have been awarded the BBC Young Jazz Musician and then to have the volume turned off here in Scotland at the mains before there is even a chance to play! C’mon BBC give us a chance!” Ewan Hastie, BBC Young Jazz Musician of the Year 2022

1 comment :

Peter Clifford said...

It's a disgrace that the BBC are axing these three specialist shows. Although I live in Kent I enjoy Jazz Nights every week, a great variety of styles and interesting info. We pay for a license fee so they should cater for everyone's taste of music, and that goes for the television as well.

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