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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, January 26, 2023

Album review: Dave Brubeck Quartet - Debut in The Netherlands 1958

Dave Brubeck (piano); Paul Desmond (alto sax); Eugene Wright (bass); Joe Morello (drums).

It's always a delight when undiscovered gems emerge from the vaults. This is doubly so, nay doubly doubly so, when it is the classic Brubeck Quartet in concert.

Recorded at Amsterdam's Concertgetbouw in November 1958 it captures the group at the first major pinnacle of their jazz journey preceding the worldwide acclaim of the best selling album Time Out (Take Five etc) and, maybe I'm out on a limb here, but this remains, for me,  the pinnacle.

All four are at the top of their game and if Brubeck occasionally sounds a little clunky, at the same time, so did Monk! And Brubeck's chord voicings are as good as anyone's.

Desmond was perhaps the most lyrical alto player since the pre-bop days of Hodges and Carter. He didn't have the bite of Bird but he had the same feeling and such fluency.

Wright did the business. Brubeck had had a variety of bassists but, with Wright, he'd found the right (no pun intended) man for job. 

In Joe Morello you had the drummer's drummer (big feature on Watusi Drums). I recall way back when I was playing in a club with a lovely drummer, Alan Ingham. It was a Saturday, he'd got married in the morning then, instead of going to the reception as one does after getting married, he went off to a Joe Morello drum clinic. He later got divorced.

As I said, Morello cast a spell over drummers. Maybe even more so than Buddy Rich. Morello was the drummer with the technique that was only just out of reach whereas with Buddy he was ten miles away and maybe you didn't want to go down that road anyway!

With the exception of Steve Race (and myself), back then the critics in the jazz mags were somewhat condescending towards Brubeck who would soon be laughing at them all the way to the bank.  

This is a welcome addition to the Brubeck discography and one that comes out, in retrospect, as way above his more lauded albums. It reminds me of the night when  the late Jim McDowell and myself  travelled down by train from Newcastle to Leeds, which, in 1958, was akin to flying to Mars and back in a day.

It was worth it as this album proves. Lance.

Order.

Two Part Contention; Someday my Prince Will Come; These Foolish Things; One Moment Worth Years; For All we Know; Watusi Drums; The Wright Groove; The Duke; Take the A Train (incomplete)

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