Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Thursday, December 01, 2022

Album review: Jim Self - My America 2: Destinations

Jim Self (various tubas); Ron Stout (trumpet, flugel); Bill Booth (trombone, euphonium); Scott Whitfield (trombone); Phil Feather (alto sax, cor anglais); Tom Peterson (soprano, tenor sax); John Chiodini, Steve Fister (guitars); Bill Cunliffe (piano, melodica); Ken Wild (double, electric basses); Kendall Kay (drums); Brian Kilgore (perc.); Kim Scharnberg (MD/arranger).

A tuba led ensemble may not, at first glance, be a mouthwatering prospect even when it's played by someone who was the "Voice of the Mothership" in Close Encounters of the Third Kind i.e Jim Self. 

Nevertheless, despite my misgivings, it is cleverly  arranged by Kim Scharnberg and Self, himself, displays a dexterity rarely found in these monsters of the deep.

Described as Self's musical odyssey, My America 2: Destinations is an acknowledgement of some of the American towns, cities and landmarks that are dear to his heart and all performed uniquely and often in a quirky way.

Chicago  brings to mind Billy May's Sorta-Dixie from way back in the day when vinyl was  10" diameter. 

By the Time I Get to Phoenix is played fairly straight with tuba, trumpet and piano to the fore.

Kansas City merges a song from Oklahoma (Every Thing's up to Date in Kansas City) with the r and b classic - Kansas City.

New York State of Mind has Cunliffe playing melodica with Self blowing fluba, an instrument he invented that combines flugehorn and tuba and has quite a mellow sound. More info here.

King of Route 66. No need to reveal which two songs go into this one - you can probably guess!

Blue Bayou Bossa. Here's a clue: Roy Orbison meets Kenny Dorham. Nice solo from Stout but it's all a bit bland albeit very cleverly done.

I Love L A features another obscure instrument the cymbasso.

Back Home Again in Indiana is an orchestrated version of Dave Brubeck's recording and is a fairly straight ahead swinger.

Chattanooga Choo Choo is given the boogie woogie eight to the bar treatment. Tuba, alto and piano capture the mood to perfection.

I Left my Heart in San Francisco features trumpet, cor anglais, tuba and piano and, although performed beautifully, won't have Tony Bennett fans looking for a trade-in.

Washington Post Modern is a hoot!  Taking  John Phillip Sousa's march and putting it through its paces in a variety of tempos - not for the parade ground!

Georgia on my Mind: A duet for tuba and piano that is as mellifluous as you'll ever get from which ever tuba Self used. Cunliffe's accompaniment adds more sensitivity.

S.L.O Blues relates to the California  city of San Luis Obispo (pop. 47,063) where Self has a holiday home. It's an original composition of his which is quite rocky in places - perhaps relating to the coastline. Some wailing guitar as well as the inevitable tuba. The recording ends, as do all of his albums with the 'world-famous' howls of Stanley, his dearly departed basset hound.

I rarely do track by track album reviews but each one of these thirteen are so unique it would be impossible to bypass any one of them.

The release date is confusing. One page of the blurb says Oct. 28, 2022 whilst on another page it's Jan. 6, 2023! Whatever, it's worth checking out. Lance

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