Seamen was born and spent his early life in Burton on Trent - the then home of the British beer industry and Phil's first job was working in the town's Marston's Brewery.
After playing in local bands he eventually moved south and worked his way to the top via bands such as the Jack Parnell Orchestra and the vibrant jazz scene in London's West End.
Bands such as the quartets of Tubby Hayes and Joe Harriott were enhanced by Phil's drumming although he and Harriott weren't always close as I recall from a session at Newcastle's Down Beat Club back in the 1960s when they were most certainly at odds with each other.
Much of the material is drawn from Melody Makers, NMEs, Crescendos, Jazz News and other magazines of the period as well as the classic Decibel album The Phil Seamen Story. They are all excellently collated and give the reader an almost day to day chronicle of the life of a jazz musician - warts and all.
We get insights into Phil's occasional returns to Burton, commented on by local musicians and fans who knew him. His drug addiction isn't glossed over but, for all his unpredictability, everyone speaks of him with admiration and much love including ex wife Léonie and former girl friend Jo who were both interviewed. Neither bore malice despite the difficulties they must have faced in trying to come to terms with his lifestyle.
The book is peppered with historic, often rare, photos and there are few British jazzmen of note who aren't mentioned.
I didn't know that he'd played drums on Acker's Stranger on the Shore or Cilla's Anyone Who Had a Heart as well as many other hits.
For drummers, perhaps the most interesting chapter is the one where he and other drummers discuss the matched grip as opposed to the orthodox grip. Phil is generally acknowledged as the first to pioneer this method of holding the sticks which later became the norm. The same chapter includes several notated examples of his playing. I know I will be checking out other drummers' techniques.
This is not just the story of Phil Seamen - well it is - but it's also the story of British modern jazz of which he was very much a part of. A flawed genius? Yes, but a genius who heard a different drummer - himself!
To purchase Peter Dawn: Phil Seamen 'Percussion Genius' Outrageous Rebel and Born Raver (ISBN 978-1-83952-391-5) or to find out more click on HERE. Lance
1 comment :
Further to my review, I overlooked one mild criticism and that was the use of asterisks for what were once thought of as 'naughty words'. Ok, so f*****g may be just about acceptable - even when quoting the man himself who wasn't unknown to have used such expletives in most of his sentences - but p***s, b******s, s**t, and other words in everyday usage somehow seem far removed from the everyday world in which Phil lived in then and what we do now. Just a thought. It's still a great book.
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