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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17985(and counting) posts since we started blogging 17 years ago. 306 of them this year alone and, so far, 62 this month (April 26).

From This Moment On ...

April 2025.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

MAY 2025

Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Member’s Contribution.
Thu 01: Alabaster de Plume @ Gosforth Civic Theatre, Newcastle. 7:30pm.
Thu 01: Living in Shadows + OUTRI @ The Globe, Newcastle. 8:00pm.
Thu 01: The Shayo Experiment @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Shayo Oshodi & Liam Oliver.
Thu 01: Tees Hot Club @ Dorman’s, Middlesbrough. 8:30pm. Free.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Anna Reay & Deon Krishnan @ STACK, Seaburn. 4:30-6:15pm. Free.
Fri 02: Nauta @ Central Bar, Gateshead. 7:00pm. £7.50. A ‘Nauta’s House’ gig featuring Nauta & guests Shayo Oshodi & David Gray.
Fri 02: Spilt Milk @ St James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 02: Dom Pipkin @ Cluny 2, Newcastle. 7:30pm (doors). Solo piano.
Fri 02: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm. £12.00. + bf.

Sat 03: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Summer Samba Enrol at: learning@jazz.coop.
Sat 03: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 03: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 03: Postmodern Jukebox @ The Glasshouse, Gateshead. 7:30pm.
Sat 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Ray Stubbs R&B All Stars @ The Black Bull, Blaydon. 8:30pm. Free.

Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 04: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: Spilt Milk @ St James’ STACK, Newcastle. 3:00-5:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 04: Rivkala @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 04: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, November 08, 2022

Book review: Peter Dawn - Phil Seamen 'Percussion Genius' Outrageous Rebel and Born Raver

Spread over 751 pages (inc. index, selective discography, and bibliography) this is possibly the longest and most detailed biography of any British jazz musician ever. This is not to take anything away from Simon Spillett's magnificent Tubby Hayes biography or the late Peter King's autobiography. They are all relevant to each other and author Dawn draws extensively from them and many others in painting this picture of Britain's greatest drummer.

Seamen was born and spent his early life in Burton on Trent - the then home of the British beer industry and Phil's first job was working in the town's Marston's Brewery. 

After playing in local bands he eventually moved south and worked his way to the top via bands such as the Jack Parnell Orchestra and the vibrant jazz scene in London's West End.

Bands such as the quartets of Tubby Hayes and Joe Harriott were enhanced by Phil's drumming although he and Harriott weren't always close as I recall from a session at Newcastle's Down Beat Club back in the 1960s when they were most certainly at odds with each other.

Much of the material is drawn from Melody Makers, NMEs, Crescendos, Jazz News and other magazines of the period as well as the classic Decibel album The Phil Seamen Story. They are all excellently collated and give the reader an almost day to day chronicle of the life of a jazz musician - warts and all.

We get insights into Phil's occasional returns to Burton, commented on by local musicians and fans who knew him. His drug addiction isn't glossed over but, for all his unpredictability, everyone speaks of him with admiration and much love including ex wife Léonie and former girl friend Jo who were both interviewed. Neither bore malice despite the difficulties they must have faced in trying to come to terms with his lifestyle. 

The book is peppered with historic, often rare, photos and there are few British jazzmen of note who aren't mentioned.

I didn't know that he'd played drums on Acker's Stranger on the Shore or Cilla's Anyone Who Had a Heart as well as many other hits.

For drummers, perhaps the most interesting chapter is the one where he and other drummers discuss the matched grip as opposed to the orthodox grip. Phil is generally acknowledged as the first to pioneer this method of holding the sticks which later became the norm. The same chapter includes several notated examples of his playing. I know I will be checking out other drummers' techniques. 

This is not just the story of Phil Seamen - well it is - but  it's also the story of British modern jazz of which he was very much a part of. A flawed genius? Yes, but a genius who heard a different drummer - himself! 

To purchase Peter Dawn: Phil Seamen 'Percussion Genius' Outrageous Rebel and Born Raver (ISBN 978-1-83952-391-5) or to find out more click on HERE. Lance

1 comment :

Lance said...

Further to my review, I overlooked one mild criticism and that was the use of asterisks for what were once thought of as 'naughty words'. Ok, so f*****g may be just about acceptable - even when quoting the man himself who wasn't unknown to have used such expletives in most of his sentences - but p***s, b******s, s**t, and other words in everyday usage somehow seem far removed from the everyday world in which Phil lived in then and what we do now. Just a thought. It's still a great book.

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