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Bebop Spoken There

David Hadju: "It was kind of a lightning bolt [seeing a photo of a hi-fi store that's now occupied by a phone store]. Everyone had hi-fi systems, now everyone has a phone" - (DownBeat May 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"


15478 (and counting) posts since we started blogging 15 years ago. 499 of them this year alone and, so far, 120 this month (May 27).

From This Moment On ...

May 2023

Sun 28: Bradley Creswick's Western Swingfonia @ Whitley Bay Carnival. Free. Plaza Arena stage. 12 noon.
Sun 28: MSK @ Whitley Bay Carnival. 12:15pm. Free. Marquee stage. MSK - Steve Glendinning, Katy Trigger, Martin Douglas.
Sun 28: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 28: Back Chat Brass @ Whitley Bay Carnival. 1:30pm. Free. Marquee stage.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Tim Kliphuis Trio @ St Mary's Church, Wooler NE71 6BZ. 3:00pm. £15.00 standard; £5.00 student/unwaged; free under 18. Afternoon Cocktail, a Wooler Summer Arts' concert promotion. Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Back Chat Brass @ Whitley Bay Carnival. 3:00pm. Free. Plaza Arena stage.
Sun 28: 4B @ The Exchange, North Shields. 3:00pm.
Sun 28: King Bees @ The Delaval Arms, Old Hartley NE26 4RL. 5:00pm. Free. Chicago blues at its best!
Sun 28: Matt Anderson Quartet @ The Globe, Newcastle. 8:00pm. Anderson (saxophones); Jamil Sheriff (piano); Andy Champion (double bass); Dave Walsh (drums).

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 30: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 30: Big Chris Barber Band @ Whitley Bay Playhouse. 7:30pm.

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 31: 4B @ The Exchange, North Shields. 7:00pm.
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 01: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 01: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm. Donations.
Thu 01: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 01: Jake Leg Jug Band @ The Globe, Newcastle. 8:00pm.
Thu 01: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 02: Claire Martin & Her Trio @ The Witham, Barnard Castle. 7:30pm. £25.00., £20.00. Feat. Jim Mullen, Alex Garnett & Jeremy Brown.
Fri 02: Guy Davis + Michael Littlefield & Scott Taylor @ Cluny 2, Newcastle. Doors 7:30pm. Blues double bill.
Fri 02: Anders Ingram @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club. Country blues. A 'Jar on the Bar' gig.

Sat 03: Newcastle Record Fair @ Northumbria University, Newcastle NE8 8SB. 10:00am-3:00pm. Admission: £2.00.
Sat 03: Pedigree Jazz Band @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Sue Ferris. £25.00. Enrol at:
Sat 03: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

Wednesday, November 09, 2022


This excellent and perceptive article by Neville Sarony KC is reproduced with the kind permission of Colin Aitchison. It first appeared on his China Coast Jazzmen Facebook page. Lance

Late on Friday the 4th of November 2022 there was evidence that Hong Kong, like a latter day Rip Van Winkle, had emerged from its nigh-on catatonic sleep and felt again an adrenalin powered rush of joy. 

Was this attributable to the much vaunted Hong Kong Monetary Authority hosted summit of global financial leaders at the Four Seasons hotel? No.

Was it the return of the Hong Kong Rugby Sevens, even in its somewhat confined iteration? No.

No, the warmth that coursed back into Hong Kong’s tired veins stemmed from the re-opening of live music from the China Coast Jazzmen at Ned Kelly’s Last Stand in Ashley Road, Tsim Tsa Chui, always referred to by its aficionados simply as ‘Ned’s’. News of the return of these inspiring musicians and their brand of traditional jazz, covers of ‘standards’ and delivery of unsophisticated fun, was transmitted through Facebook, bringing out the fans.

Just how all-embracing Ned’s is could be measured by casting an eye across the audience; young and old, boys and girls, men and women drawn from a variety of nationalities and races.

Old friends hugged each other as they re-connected after such a long absence.

The faces of the cognoscenti split into unconstrainedly happy smiles as the band struck up their favourite numbers. Whoops of expectant joy met band leader Colin Aitchison’s opening lines of What a Wonderful World and the entire audience sang out the chorus line.

The presence of several of the Hong Kong Swingers led, inevitably, to some skilful dancing and a little less twinkle-toed terpsichorean gyrations by some of the more mature participants. But who cared, when the music reached down into your very soul, uplifting spirits that have lain almost without life for so long under the crippling restraints of Covidiocy.

Eyes long dulled by quarantines and lock-downs and endless testing and the ‘Ding-Dong’ of the Leave Home Safe regime, suddenly were alight with hope and happiness. The sense that Hong Kongers will shrug off the listless pall of suffocating regulations and recover their innate joie de vivre was suddenly right there, vibrant and flourishing.

No-one listening would have thought that the musicians had not played together for months on end. The playing was as tight as ever, Aki Espiritu performing on piano, guitar, banjo and sousaphone. The rhythm group of Joe on bass and Noel on drums drove the music upward and onward sending out a captivating beat to Happy Feet.

Joining Colin’s trombone on the front line, Benny’s saxophone and Angelo’s ever higher trumpet took the melodies and romanced them into ever changing shapes. For a few precious hours, Hope was given lyrical and melodic shape in a way that engaged and informed everyone present.

Colin is the P.T. Barnum of Ned’s, joking with his audience and the members of the band, a Master of Entertainment not just an MC. The people loved every minute.

Sitting quietly in a corner, a blissful glow illuminating his features, Ned’s leaseholder, Mike Brown, observed this exuberant resurrection of an entertainment forum that he has nursed through the ravages of the worst economic conditions it has navigated in its 50 year existence. His heart strings must have been dancing to the sight of the wonderful Nepalese staff weaving their way through the tables, serving a constant supply of drinks and food as though they were on steroids.

Throughout the pandemic, Ned’s owner, Tom Parker, has shared the financial pain, endeavouring to shelter it from failing, mindful too of the devastating effect on the staff, those vulnerable members of the gig economic. Would that other property owners exhibited the same commitment to iconic establishments like Ned’s that Tom Parker has.

One of the idiosyncrasies of Ned’s and its unique contribution to Hong Kong lies in the sheer variety of its followers, and its propensity to enable instant friendship over a shared table. One elderly gentleman looked at me and said “I’ve been coming here for 30 years, you play the piano…The Breathalyzer Blues.” It took me a second to realise that he meant “The Alcoholic Blues”. In one sentence he captured the loyal following that Ned’s engenders and their familiarity with the music.

Those who think of jazz only in terms of vibrant, foot-tapping compositions, overlook the very real balm to the soul that it provides.

The truly catastrophic effects on mental health brought about by the responses to Covid are emerging. At the core of this aspect has been the lack of human contact amongst social animals. The road back not only to recovery but a renewed appetite for life for the people of Hong Kong was mapped out in this eccentric venue named after an infamous Australian robber.

For too many, the pandemic restrictions robbed them of a recognisable form of life. Ned’s proves what a powerful antidote it provides to that sense of loss, a musical powerhouse to uplift weary spirits. Why, oh why did it take so long for this to be recognised?
Neville Sarony


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