ON A GAELIC TRANCE Matt Carmichael and Fergus McCreadie @ Heart of Hawick – Nov. 18

(© Dave P)

Matt Carmichael (tenor sax); Fergus McCreadie (piano)

‘Beauty is truth, truth beauty’

The young poet John Keats might have written those words on hearing Matt Carmichael and Fergus McCreadie play at the Heart of Hawick. They made music of sublime beauty that seemed to speak a timeless truth about creativity and left the capacity audience entranced.

The first set was one uninterrupted flow of improvisation that included two original compositions by Carmichael (Cononbridge) and McCreadie (The Unforrowed Field), a traditional dance tune from Harris and a Tamil devotional song taught to them years ago by Iain Ballamy. 

(© Dave P)

The journey covered the whole dynamic range from the quietest whisper of the saxophone to torrents striking every key of the piano. They played for almost an hour without even looking at each other (McCreadie plays mostly with his eyes closed). Their extraordinary togetherness appeared to be effortless but of course it was not. It was a masterclass in listening, responding and being in the moment. And that’s the truth.

The second set started with Carmichael’s achingly beautiful ballad Marram and was followed by McCreadie’s Ardbeg which is as memorable and complex as the Islay whisky of the same name. Then there was just time for an encore – Across Flat Lands by McCreadie.

Few musicians can hold an audience’s attention like they did. John Coltrane and Keith Jarrett did it but comparisons with jazz giants from a different era don’t seem appropriate to Carmichael and McCreadie. Their music is exploring a new direction in the journey of jazz that is as different as bebop was to ragtime. In future, jazz historians will probably categorise the music of Carmichael and McCreadie as ‘Gaelic Trance’ (and will cite Bebop Spoken Here as the first use of the term). Dave P