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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Fri 03: Dean Stockdale Trio @ The Old Library, Auckland Castle. 1:00pm.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jake Leg Jug Band @ Saltburn Community Hall. 7:30pm.
Fri 03: Front Porch Blues Band @ Cobalt Studios, Newcastle. 7:30pm.
Fri 03: Boys of Brass @ Hoochie Coochie, Newcastle. 8:30pm. £5.00.

Sat 04: Jeff Barnhart’s Mr Men @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Jeff Barnhart @ The Vault, Darlington. 6:00pm. Free. Barnstorming solo piano!
Sat 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. Free (donations).
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: Sue Ferris Quintet plays Horace Silver @ Central Bar, Gateshead. 2:00pm.
Sun 05: Guido Spannocchi @ The Globe, Newcastle. 8:00pm.

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Calvert & the Old Fools @ Forum Music Centre, Darlington. 5:30-7:00pm. Free. Live recording session, all welcome.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Mark Robertson.
Tue 07: Suba Trio @ Riverside, Newcastle. 8:00pm (7:30pm last entry). £21.00. All standing gig.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Conor Emery: Jazz Trombone, Stage 3 Final Recital @ Music Studios, Assembly Lane, Newcastle University. 7:00pm. All welcome, the venue is located in the lane behind Blackwell’s, Percy St., Haymarket.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 8:00pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Thursday, September 15, 2022

You never forget the first time...How was it for you?

I've often asked myself the question as to when/how it was that I first heard jazz and became hooked.

Answer is, I don't really know! It was certainly in the early fifties just after I'd left school and started buying records (78s). Back then jazz and popular music - the latter had yet to be reduced to a three letter word or, in some cases, a four letter word - were still, more or less, working the same side of the street. Family Favourites or Housewife's Choice had no inhibitions about playing Fats Waller, Louis Armstrong or even Stan Kenton alongside Guy Mitchell, Johnny Ray or Frankie Laine.

The big bands such as Miller, Shaw, James and the Dorseys also figured high on my radar but, I suppose, it wasn't until I acquired a record of Louis Armstrong's Hot Five playing Cornet Chop Suey that I became, initially, a purist - I'd also discovered Chinese food at the same time but that was probably a coincidence. Spanier, Condon, more Louis and, of course, Lyttelton and Colyer. A mouldy fig was I - until...

...until I went to the City Hall to a concert by, of all people, Joe Loss. It was all going nice and sedately, full of corny vocals and In The Mood played too fast but then! A small group from the band came down front and played Dizzy Gillespie's The Champ. Reg Arnold was on trumpet and he knew his flattened fifths inside out. This was it! Damascus was in sight - maybe just this side of Gateshead.

Looking back at those early voyages of discovery reminds me that jazz is all encompassing and that compartmentalism of any art form is anti progressive. Nevertheless, whenever I hear Louis blowing Cornet Chop Suey or Dizzy playing The Champ I wonder if either of these classics are ever incorporated into the various jazz education courses.

Still that is bye the bye. What I really want is for our readers to tell us how they got into jazz either as a player or a listener. Your comments please - Lance 

3 comments :

Tony eales said...

15 years old Newcastle city hall Ted Heath, I’ve been hooked ever since on Big Bands
Tony Eales

Anonymous said...

It was the 50s and our parents bought us a gramophone. I was still at school and had no money to buy records. My brother was four years older and part of a skiffle group and had just started work so was bringing in his new buys. They were mostly Lonnie Donegan and the Vipers. One day he came home with Kid Ory's Tiger Rag and I was hooked.

Ann Alex said...

I really got into jazz in about 2010 when I joined Lindsay Hannon's Blue Jazz Voices class at the Sage. I've always sung and I decided that I would attempt all the kinds of singing you could do, such as Eastern European folk styles etc. At the Blue Jazz Voices class I felt well at home with jazz, which lead to listening to the Gasbook, Bebop, free Jazz, and my ears are closed to nothing. Mind, I draw the line at circular breathing which I don't think doctors recommend!

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