November
Sun 17: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 17: Liane Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:00am-5:00pm. £95.00. Day 2/2. SOLD OUT!
Sun 17: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Skerritt (solo) performing with backing tapes.
Sun 17: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 17: Liane Carroll @ The Globe, Newcastle. 8:00pm. SOLD OUT!
Sun 17: Julian Lage @ The Glasshouse, Gateshead. 8:00pm. Lage, solo guitar.
Mon 18: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Tue 19: Christine Tassan et Les Imposteures @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm. £14.00.; £7.00. child.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Mark Robertson.
Tue 19: Jeremy McMurray & the Pocket Jazz Orchestra @ Billingham Catholic Club. 7:30pm. £5.00. from 07757 062798 or at the door.
Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Christine Tassan et Les Imposteures @ Howick Village Hall, nr. Alnwick. 7:30pm. £12.00.; £6.00. child.
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 20: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session.
Thu 21: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Autumn into Winter Titles (music & songs that go with the change of the seasons)’.
Thu 21: Down for the Count Swing Orchestra @ Newcastle Cathedral. 7:30pm. £25.00., £20.00., £14.00. ‘Swing Into Xmas with the Down for the Count Swing Orchestra’.
Thu 21: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guests: Neil Brodie (trumpet); Donna Hewitt (sax); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass); Mark Hawkins (drums).
Fri 22: Vieux Carré Jazzmen @ The White Swan, Ovingham. 12:30-3:30pm. £15.00. Line-up: Chris Perrin (clarinet, tenor sax); Phil Rutherford (sousaphone); David Gray (trombone, trumpet, vocals); Brian Bennett (banjo). To book a table tel: 01661 833188.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 22: Dilutey Juice @ Independent, Sunderland. 7:30pm. £10.00. + £1.00. bf.
Fri 22: Archipelago @ Poprecs, High St. West, Sunderland. 7:00pm. £10.00. Multi-bill, Archipelago on stage 8:00pm. A Boundaries Festival event.
Fri 22: Groovetrain @ Hoochie Coochie, Newcastle. £15.00. + bf. 8:45pm (7:30pm doors).
Sat 23: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sat 23: Washboard Resonators @ Claypath Deli, Durham. 7:00pm. £12.00.
Sat 23: Paul Skerritt Big Band @ Westovian Theatre, South Shields. 7:30pm.
3 comments :
A surprise comment from a guitar player! For many years I got Crescendo Magazine. George Evans' saxophonist brother Leslie wrote an amazingly detailed article every issue on such things. There were pages of info which I found strangely compelling and read them avidly.
I use o-rings. 3 of them on the mouthpiece holds the reed well enough in place, and it'll cost you next to nothing. Get lots of resonance due to very little contact with the reed
Harry Keeble's comment is interesting - my first sax ligature was made of elastic bands. Not very effective, especially on a very close lay mouthpiece, so my father suggested a jubilee clip, which worked a treat, but tended to knacker the reeds. I use an old Rovner now on tenor, but I'm going to find some of those O-rings! More generally, after 55 years of playing, I reckon that ligatures and even mouthpieces have a lot less influence on your sound than your conception of what you want to sound like. To some extent your horn can have quite an influence on this too. For instance, using the exact same combination of reed, lig. and mouthpiece on my (no.1) Pierret tenor, which I've played for 26 years, my Conn "Chu", my Conn 10M, and my Martin Handcraft, I make completely different sounds, which are nonetheless instantly recognisable as me!
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