DECEMBER 2025
Fri 19: Fraser Urquhart @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT! .
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free..
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free..
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00..
Fri 19: Castillo Nuevo @ Hotel Gotham, Newcastle. 5:00pm. Free. .
Fri 19: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy..
Fri 19: Paul Skerritt @ Middlesbrough Town Hall. 7:00pm. Skerritt w. backing tapes. .
Fri 19: Giles Strong Quartet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club..
Fri 19: Creakin’ Bones & the Xmas Dinners @ The White Room, Stanley. 7:45pm. £13.01 (inc. bf)..
Fri 19: Mark Toomey Quintet @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Sat 20: Jazz Attack @ The Glasshouse, Gateshead. 11:00am. Free.
Sat 20: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy. SOLD OUT!
Sat 20: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 20: Ray Stubbs R&B All Stars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Sat 20: Hoodoo Blues @ The Globe, Newcastle. 7:15pm (doors). £14.25, £11.55. Dance class, social dancing, live music & Xmas Party. Live music from 9:00pm - Ruth Lambert, Giles Strong, Ian Paterson & John Bradford (jazz and blues).
Sat 20: John Pope Quintet @ Blank Studios, Newcastle. 7:30-8:30pm. £7.70 (inc. bf). Album recording session.
Sun 21: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. ‘Xmas Swingalong’. Skerritt w. backing tapes.
Sun 21: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00-5:00pm. Free.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Strictly Smokin’ Big Band @ o2 City Hall, Newcastle. 6:00pm. £35.80., £33.25., £31.00.
Sun 21: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music.
Sun 21: Tweed River Jazz Band @ The Barrels Ale House, Berwick. 7:30pm. Free.
Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 23: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. backing tapes.
Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:30pm. ‘The A Capella Sessions’. Gardner, Paula Gardner, Alexia Hope Gardner Diamany.
Wed 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:30pm. Skerritt w. backing tapes.
Thu 25: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:00pm. ‘All About the Bass Sessions’. Alexia Gardner, Paula Gardner, Jude Murphy.
3 comments :
A surprise comment from a guitar player! For many years I got Crescendo Magazine. George Evans' saxophonist brother Leslie wrote an amazingly detailed article every issue on such things. There were pages of info which I found strangely compelling and read them avidly.
I use o-rings. 3 of them on the mouthpiece holds the reed well enough in place, and it'll cost you next to nothing. Get lots of resonance due to very little contact with the reed
Harry Keeble's comment is interesting - my first sax ligature was made of elastic bands. Not very effective, especially on a very close lay mouthpiece, so my father suggested a jubilee clip, which worked a treat, but tended to knacker the reeds. I use an old Rovner now on tenor, but I'm going to find some of those O-rings! More generally, after 55 years of playing, I reckon that ligatures and even mouthpieces have a lot less influence on your sound than your conception of what you want to sound like. To some extent your horn can have quite an influence on this too. For instance, using the exact same combination of reed, lig. and mouthpiece on my (no.1) Pierret tenor, which I've played for 26 years, my Conn "Chu", my Conn 10M, and my Martin Handcraft, I make completely different sounds, which are nonetheless instantly recognisable as me!
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