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| (© Alan Stander) |
I usually go the Railway (Stockport) on Tuesdays but instead I decided to attend the gig at the Creative Space in Didsbury, Manchester. A session run by Janet Higgins and Phil Portus in the upstairs room of the Slug and Lettuce, 651 Wilmslow Road, Didsbury, M20 6QZ. This was the first concert of a six date UK tour culminating at the Globe. Newcastle on June 5, a venue that will be familiar to BSH readers in the north east. Other dates are the Lescar, Sheffield, June 1; Bonnington Theatre, Nottingham, June 2; Midlands Arts Centre. Birmingham, June 3 and the Wardrobe, Leeds, June 4.
I must admit I didn't know much about Michael Moore who was born in the USA but has long been resident in Amsterdam. He was a key member of the Instant Composers Network and has played with some important and influential musicians in Europe such as Misha Mengelberg and Hans Bennick.
I hadn't intended to write a review so I didn’t bring a notebook or pen but soon regretted it as this show was one of the best I’ve seen at the Creative Space.
Moore played the first couple of tunes on clarinet and immediately won me over with his sound, very modern technique and original ideas. He then picked up his alto sax and he once again impressed me and the rest of the audience (there were many local musicians present) with his sound which was full and round. My friend Alan mentioned that he reminded him a lot of Carlos Ward on alto. I was thinking more of Herb Geller with a touch of Lee Konitz.
The majority of the tunes were written by members of the trio with the exception of a very swinging version of Johnny Come Lately which contained a very creative solo from Johnny Hunter, assisted by some nifty basswork from John Pope. I would recommend anyone in the area of the forthcoming gigs to catch this great trio and no doubt there will be some of the BSH team to maybe review the Globe gig on June 5.
On June 5 I will be back at the Railway for the Mike Hall Quartet - Mike Farmer
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