October.
Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.
Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.
Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.
Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.
Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.
Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.
3 comments :
A surprise comment from a guitar player! For many years I got Crescendo Magazine. George Evans' saxophonist brother Leslie wrote an amazingly detailed article every issue on such things. There were pages of info which I found strangely compelling and read them avidly.
I use o-rings. 3 of them on the mouthpiece holds the reed well enough in place, and it'll cost you next to nothing. Get lots of resonance due to very little contact with the reed
Harry Keeble's comment is interesting - my first sax ligature was made of elastic bands. Not very effective, especially on a very close lay mouthpiece, so my father suggested a jubilee clip, which worked a treat, but tended to knacker the reeds. I use an old Rovner now on tenor, but I'm going to find some of those O-rings! More generally, after 55 years of playing, I reckon that ligatures and even mouthpieces have a lot less influence on your sound than your conception of what you want to sound like. To some extent your horn can have quite an influence on this too. For instance, using the exact same combination of reed, lig. and mouthpiece on my (no.1) Pierret tenor, which I've played for 26 years, my Conn "Chu", my Conn 10M, and my Martin Handcraft, I make completely different sounds, which are nonetheless instantly recognisable as me!
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