Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Saturday, November 27, 2021

Album Review: Sara Colman – Ink On A Pin – A Celebration Of Joni Mitchell

Sara Colman (vocals); Rebecca Nash (piano); Steve Banks (guitars); Ben Markland (bass); Jonathan Silk (drums); Percy Pursglove (flugelhorn); Beth Bellis (violin 1, vocals); Ning-Ning Li (violin 2, vocals); Natalie Mason (viola, vocals); Katy Nagle (cello, vocals)

This CD is so delightful that I played it twice straight off! Joni Mitchell songs lend themselves easily to jazz but Ms Colman's versions are very much her own, with added influences of folk and Americana. The voice is a strong alto with a pleasing nasal quality, very unlike Mitchell's rather sweeter tones, which helps towards the different interpretations.

All the tracks stood out but I must mention Amelia, concerning Amelia Earhart the pioneering aviator who disappeared over the Pacific in 1937. The string quartet and also the flugelhorn play superbly to give 'flying' effects. On the classic song Woodstock the piano somehow manages to create a 'hippy' feel, then plays along with massed cymbals, and the track is beautifully rounded off with a vocal chorus from the singers, who sound as if they are indeed at Woodstock.

My Old Man is a tribute to a partner sung to piano accompaniment, with the classic line 'We don't need no piece of paper from the City Hall’. Chelsea Morning gives us a lively, perky flugelhorn solo; This Flight Tonight has skilled flowing guitar accompaniment. Court and Spark is played with the standard piano, bass and drums and Down to You is sung to flowing strings and comments from the flugelhorn. The singing on all the tracks gets the meaning of the lyrics across well. And so I've actually mentioned all the tracks in my enthusiasm.

Ms Colman hails from Bristol and this is her second CD.  She is a singer, songwriter and composer. The album was recorded as part of her work as a recording-artist-in residence at the Royal Birmingham Conservatoire in 2019. She has worked with many other artists such as Liane Carroll, and has performed at the BBC Proms.

The album was released yesterday, November 26, and is available digitally and everywhere. See www.saracolman.com

Court and Spark; Chelsea Morning; Amelia; This Flight Tonight; Down to You; Woodstock; My Old Man - Ann Alex

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