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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17777 (and counting) posts since we started blogging 17 years ago. 98 of them this year alone and, so far, 23 this month (Feb.8).

From This Moment On ...

February 2025

Tue 11: Steve Summers Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (tenor sax).
Thu 13: MOBO Awards Fringe 2025: Artist Showcase @ The Glasshouse, Gateshead. 7:00pm. Free (ticketed). Line-up inc. Hannabiell & Midnight Blue.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 14: John Rowland Trio @ Jesmond Library, Newcastle. 12:30-1:30pm. £5.00. at the door. New second Friday in the month concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Archipelago + Anna Tempest @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Paul Jones & Dave Kelly @ Alnwick Playhouse. 7:30pm. Rhythm & blues.
Fri 14: Alexia Gardner Quintet @ The White Room, Stanley. 7:45pm.
Fri 14: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: James Birkett & Emma Fisk @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 15: Elkie Brooks @ The Glasshouse, Gateshead. 7:30pm. ‘The Long Farewell Tour’.
Sat 15: Milne Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 16: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: MOBO Awards Fringe 2025: BBC Introducing NE X MOBO Showcase @ The Glasshouse, Gateshead. 6:00pm. Free (ticketed). Line-up inc. Jambone, Knats, Rivkala, SwanNek.
Sun 16: The Shayo Experience @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 16: Gerry Richardson Quartet @ The Globe, Newcastle. 8:00pm.
Sun 16: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, November 16, 2021

Album review: Michael Feinberg – Hard Times

Michael Feinberg (bass, electric bass); Jeff ‘Tain’ Watts (drums); Orrin Evans (piano); Godwin Louis (alto sax); Billy Buss (trumpet); Gabriel Globus-Hoenich (percussion); Noah Preminger (tenor sax); Randy Brecker (trumpet on Monkeys Never Cramp); Leo Genovese (keyboards - piano on Three Flowers).

The cover of the album carries the statement of intent “When the going got tough, the tough got swinging” and shows the band as a gang of wild-west tough guys, Feinberg, chewing on a small cigar, to the fore. This leads to the inevitable question ‘Just how tough is this music?’ and the answer is like an over-boiled curate’s egg, ‘Tough in places’. Indeed, on first hearing this album sounds like a very disparate collection but it coheres into a something more unified with further listens. It shows its roots in the cover versions but there’s energy in those tracks and the originals keep those levels up. It’s very much, a grower.

The listener is lured into a false sense of comfort by the opening Introduction, a gentle piano trio plus trumpet piece.

There’s none of that comfort on the blast through Miles Davis’ Nardis, with bassist and drummer both putting in a double shift, and Buss’ trumpet, unassuming on the first track now tearing holes in the sky. That energy continues into The Husafell Stone, which removes any doubt that this is a bass player’s album. The Husafell Stone is, incidentally, the liner notes tell us, a legendary 409lb stone from Iceland, the lifting of which is a feat of strength, akin to King Arthur pulling the sword from the stone.

Pianist Orrin Evans provides an outstanding extended introduction to McCoy Tyner’s Walk Spirit, Talk Spirit. Evans is less percussive than Tyner in his playing but any shortfall is made up by Globus-Hoenich’s congas and, again pushing things along, Feinberg’s bass.

Another Tyner composition, Three Flowers follows. A complex, knotty duo between Leo Genovese on piano and Feinberg. Genovese has that percussive left hand married to a series of runs and trills around which the bass notes dance for most of the track.

Janky in the Middle is a piece of butt-swinging New Orleans funk with Bass and Louis taking the lead solos over short, punchy riffs from Feinberg.

On Every Damn Day a bold, compelling, full toned front line runs over a rolling, soloing Watts, showing the propulsive energy that you bring him to a session to provide.

Lauren’s Song is dedicated to Feinberg’s wife, whom, one can assume from the tune is lovely and elegant, though probably not as played largely on electric bass and piano to give it a sound different to anything else on the album. Then, with Monkeys Never Cramp, it’s back to some New Orleans swing that starts off like a street marching band after the coffin has been buried. (My knowledge here is based almost entirely on the opening scenes of Live and Let Die).

After a brief organ flutter from Genovese on Outro the album goes out swinging (there’s that word again) with the title track, a David ‘Fathead’ Newman composition. The tune sings, mainly through Billy Buss’ trumpet of better times ahead. It’s an uplifting tone to end on and you go away from the album feeling a little better about the world. If an album can give you that, you know it’s good ‘un.

The album is already out and is available at the usual online outlets and at Fresh Sounds New Talent  

There’s lots more info about Michael Feinberg on his website mfbass.com - Dave Sayer 

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