Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Thursday, August 05, 2021

Album review: Francesco Ciniglio - The Locomotive Suite

Francesco Ciniglio (drums); Raynald Colom (trumpet, flugelhorn); Matt Chalk (alto sax);  Matteo Pastorino (bass clarinet); Alexis Valet (vibraphone); Felix Moseholm (double bass)

An interesting and refreshingly different set of originals from a new-ish but very talented mostly European group with strong New York connections.  This is the debut on Whirlwind for the leader and writer, drummer Francesco Ciniglio, out of Naples via NYC and Paris. Ciniglio is a noted stylist not only in drumming, but also in clothing and generally looking cool!  Collaboration with Wynton Marsalis resulted in the trumpet maestro contributing lengthy, gushing liner notes, adding to the already ambitious aims of a programmatic approach where each song is “a landscape which a train might pass through.” The music owes little debt to Marsalis however, with a contemporary and loose feel, drawing on diverse rhythmic influences and an unusual palette featuring vibraphone and bass clarinet.

A gentle slow vibes and reeds opener is named after his grandmother, Laura Martina, but this soon changes tracks to the 10 min Locomotive featuring solo drums in a style which sounded African to my ears, but is apparently Neapolitan!  As to be expected from a drummer’s album, the rhythmic “locomotion” is prominent, but never dominant, and another strong voice is soon introduced with emotional and engaging trumpet playing by Spanish star Colom. The vibraphone and bass clarinet provide further contrasting solos over strong and angular propulsion from bass/drums.

Self Made Man brings new rhythms, with choked and splashing cymbals. The horn playing here is fabulous, recorded with a touch of echo, and plenty of range (both tonal and dynamic) which convey intensity without any frenetic excursions to the stratosphere.

The Turtle uses brushes pattering to evoke reptilian rather than railway progress, while Concern in the Background is more abstract, with ever-shifting drum workouts overlaid by loose motifs. This one builds to a frenetic pace before a restated melody closes in a satisfying unison byf sax and trumpet.

945 St Nicholas is the most straight ahead, with some blues feel, giving the bass clarinet free rein with glorious range and emotive tone, and the vibes in piano role giving a different feel to most other bands of this stripe.   The album closes with Mon Ange, unexpectedly introducing some vocals, in a relaxed sequence of melancholy and passion… that’s Italians for you I suppose.

A refreshing new voice with plenty of compositional ideas on top of virtuoso and emotional playing - one to watch out for. Chris K

Release date: 23.07.21 CD, LP, Digital at Whirlwind Recordings WR4773CD (UK)

Recorded on July 5/
6 2020 at Studio Ferber, Paris

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