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Bebop Spoken There

Billy Boy Arnold: “As long as you don't think old you're good.” - DownBeat, December, 2023.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Postage

16034 (and counting) posts since we started blogging 15 years ago. 1041 of them this year alone and, so far, 73 this month (Nov. 27).

From This Moment On ...

December

Tue 05: Customs House Big Band @ All Saints Church, Cleadon. 7:00pm. Concert in the church hall. BYOB.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Sid White. The best free show in town!

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 8:00pm. Free. Note later start time, concert performance (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free CANCELLED!
Thu 07: Vieux Carré Hot 4 @ Spanish City, Whitley Bay, Newcastle. 12 noon - 4:00pm. £26.00 (inc 3-course meal in in St Mary's Lighthouse Suite). SOLD OUT!
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm.Donations. Feat. Mark Sanders. CANCELLED!
Thu 07: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00. Downstairs.
Thu 07: Tees Hot Club: Just Friends @ Dorman’s Club, Middlesbrough. Guest band night w. Richie Emmerson, Ian Bosworth, Dave Archbold, Ron Smith, Mark Hawkins. 9:00pm.

Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 08: Giles Strong Quartet @ The Old Library, Auckland Castle. 1:00pm. £7.00.
Fri 08: Hayley's Little Big Band @ Woodland Village Hall, Bishop Auckland. 7:00pm. £12.00.
Fri 08: Sleep Suppressor + Redwell @ Head of Steam, Neville St., Newcastle. 8:00pm. £10.00. (£8.00. adv); £5.00. student.
Fri 08: Hot Club du Nord @ St Cuthbert's Church, Shadforth, Co. Durham.
Fri 08: Têtes de Pois + Nauta @ Cobalt Studios, Newcastle. 8:00pm. £12.00., £8.00.

Sat 09: Prudhoe Community Band @ Central Station, Newcastle. 10:00am - 12 noon. Charity fundraiser.
Sat 09: Durham Alumni Big Band @ Number One Bar, Skinnergate, Darlington. 1:00pm.
Sat 09: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 09: Hayley's Little Big Band @ Middleton & Todridge Village Hall, Morpeth. 7:30pm. £12.00., £6.00.
Sat 09: Paul Skerritt @ Slaley Hall, Hexham NE47 0BX. 7:30pm. From £42.00.

Sun 10: Musicians Unlimited’s Xmas Party with Zoe Gilby Quartet @ Park Inn, Hartlepool. MU 1:00-3:00pm; Zoë Gilby Quartet 4:00-6:00pm. Tickets: £7.50.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00-4:00pm. Free.
Sun 10: Funk Soul Sista @ Stack, Seaburn. 5:00-7:00pm. Free.
Sun 10: Beth Clarke @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 10: Hayley's Little Big Band @ Whittingham Memorial Institute, Alnwick. 7:30pm. £12.00., £10.00.
Sun 10: Tele-Port @ The Globe, Newcastle. 8:00pm. Line-up inc. Zhenya Strigalev.

Mon 11: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 11: Interim Final Recitals @ Newcastle University. Details TBC.

Tue 12: Stu Collingwood Organ Trio @ Forum Music Centre, Darlington. 7:00pm. £10.00.

Thursday, August 12, 2021

Ten unforgettable moments at 78rpm

Back in the day when recorded music was confined to single, mainly 10", 78rpm discs that played for about 3 minutes a side to suit the jukebox market. Solos had to be brief, precise and to the point. Rarely more than a chorus. No space for excursions à la Paul Gonsalves' Dim. Cresc. although JATP, Beethoven & co. got around this by issuing their jam sessions and symphonies over several sides.

Thinking back to those simpler times, I got to recalling some of those precious moments that have stayed with me over the years. Just a few bars that I've remembered long after the behemothic solos have since blurred and merged into a tangled mix of 200 bpm demi-semi-quavers.

So, reviving 'The Tens', in approximately chronological order, here are ten unforgettable moments,  of just a few bars, sometimes just a couple of notes and never more than a chorus that I still treasure. Not surprisingly, like old movies and former girl friends, not all of  my memories held up all these years later. Some that I expected to make the cut fell foul of the passage of time.

Lester Young's 1938 clarinet solo on Basie's Blue and Sentimental. A feature for Lester's fellow tenor player, Herschel Evans who plays the theme beautifully and there's some fine Basie piano but it's Lester's clarinet chorus at the back end that makes it for me.

Lionel Hampton's 1939 solo on When Lights Are Low. The band included Dizzy, Benny Carter, Hawk, Bean, Chu and Charlie Christian but it was a fragment of Hamp's solo - just a few, maybe 8 notes - that grabbed me. Sometimes less really is more!

Jack Jenney's 1940 solo on Artie Shaw's Stardust. Billy Butterfield's trumpet solo sets the pace which is a nice, leisurely, dancing in the dark type scenario. Artie adds a little moonlight but it is Jack Jenney's widely acclaimed solo that brings in the starry glitter.

Buddy DeFranco's 1944 solo on Tommy Dorsey's Opus No. 1. Just two lots of 8 bars but they are like a breath of fresh air amidst the hurly-burly of a typical swing band. Interestingly, on Becky Kilgore's recent livestream with Rossano Sportiello and Dan Barrett I got the impression she was humming the DeFranco solo whilst Barrett was recreating the underlying string theme from the record - maybe.

Allan Reuss's 1945 intro to Harry James' I'm Beginning to See the Light.  Despite a fine vocal by Kitty Kallen, a tenor solo by 'Corky' Corcoran and, naturally, the leader's trumpet it's guitarist Reuss' 4 bars at the beginning and his 4 bars at the end along with his underlying rhythm throughout that make it for me. One of the many great overlooked guitarists of the day.

Earl Bostic's 1945 solo on Rex Stewart's Shady Side of the Street. Mention Earl Bostic and most people think of Flamingo and the other R&B sides where his tone on alto sax is as gravel-edged as an Armstrong vocal or Bubber Miley growling on those early Ellington sides. However, here he could easily be mistaken for Johnny Hodges and it isn't surprising that John Coltrane named him as an early influence.

Charlie Parker's 1946 'Famous Alto Break' on  A Night in Tunisia. No surprise with this one unless you're hearing it for the first time. It's all quite, dare I say it?, pedestrian until that dynamic moment when Bird cuts loose. To me, this was the moment when bebop finally broke free from what had preceded and entered the brave new world that beckoned.

Art Pepper's 1947 solo on Stan Kenton's How High the Moon? A vocal feature for June Christy but, just as Buddy DeFranco's clarinet solo lightened Dorsey's Opus One, so does Pepper's 16 bar alto solo allow the moon to shine through a cloudy sky.

Bobby Hackett's 1947 solo on Armstrong's Ain't Misbehavin. When I first heard this 12" single by the All-Stars from the legendary concert at New York's Town Hall  I automatically assumed that it was Satchmo himself blowing the trumpet solo that was sandwiched in between Peanuts Hucko's clarinet chorus and Jack Teagarden's trombone blast but, no, it was Bobby Hackett - perhaps the most lyrical player since Bix.

Stan Getz's 1948 solo on Woody Herman's Four Brothers. Zoot Sims, Herbie Steward, Serge Chaloff all have great solos but Stan's is the one I remember most. Perhaps it's because when Man Tran vocalesed it they opened up Stan's chorus with 'dig my Long Island sound' which kinda stuck in my mind.

Wardell Gray's 1949 solo on Twisted. These days Twisted is forever associated with Annie Ross, many not realising that her classic version was based on another classic version by one of the all-time great bop tenor players. The reason it sticks in my mind is because it was the first time I'd ever heard the opening line of Swinging on a Star used as a quote - a mule is an animal with long funny ears etc. Lance.

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