Charlie Watts is gone. Unlike Ringo Starr of Beatles fame, the Rolling Stones' drummer was also involved in the jazz scene via some iconic jazz recordings at least one of which, The Charlie Watts Orchestra - Live Fulham Town Hall, can stand proudly alongside any British big band of any era. An all-star line up that included Pete King, Evan Parker, Jimmy Deuchar - in fact just about anyone who was anyone on the UK jazz scene in 1986 - it swings better than a lot of American name bands did at the time. Jack Bruce played cello and, although Charlie didn't have Adolph Hitler on vibes, he did have Jim Lawless and Bill le Sage depping for the late Führer.
The world will remember Charlie Watts as the driving force behind The Stones, the one who shunned the headlines, the one who didn't play the field ... The jazz world will remember him for all of those things as well as as a drummer who loved playing jazz and was pretty damn good at it.
Listening again to that Fulham Town Hall concert it occured to me that this is an album that will certainly be high up on the list when I get around to naming my ten favourite big band albums.
Charlie Watts passed away earlier today (August 24).
He was 80.
Sadly missed.
Rest In Peace
Lance
3 comments :
The Fulham album is marvellous, one of my all time favourites.
Dave
Struck me as a decent chap and I'm not sure I'd say the same about any of his bandmates. He was the first drummer in a pop group to claim he was a jazz drummer, though far less nimble than subsequent self-proclaimed jazz drummers who played rock: Ginger Baker, Bill Bruford and Phil Collins.
All the big popstars: Beatles, Stones, Van, Wod, Bowie etc etc etc were keen to point out their debts to black music, but it never fully caught on and still hasn't. America was forced to acknowledge its Black Music, but it was the white popstars who became multi millionaires and are nowadays revered as originators. On Radio 2 today somebody was talking about Watts' debt, not just to jazz, but to Stax and Motown, but people will still go on listening to white British popstars ahead of Stax and Motown, and jazz by white British popstars ahead of Black American Originals .
Sad news. There has been a lot of comment and tributes in the media, BBC etc. and talking about his love of jazz, about his abilities stemming from a jazz sensibility and subtlety, his ability to swing and to always do just the right thing appropriate to the song. All really nice to hear.
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