Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Saturday, April 17, 2021

Ten 10" Albums I still play (occasionally). 4: Gene Ammons All Stars - a hi-fi jazz jam session

The eagle-eyed among you will have realised that this isn't quite in the alphabetical order I designated when I introduced the series. This one should, alphabetically, have been number one indeed some might say it should be number one by any criteria.

I'd initially decided  on The Four Freshman and Five Trombones - an album which, over the years, I have had fond memories of. However, time can cloud memories. a typical example being the girl you had a crush on at school who, x years later, turns out to be somewhat less than attractive when you see her waiting for her second Covid jab.

The magic I once found from listening to the Freshmen, now, no longer sounds fresh, so I opted to replace it with an album that hadn't lost its charm.

This was a stellar line-up dating back to 1955. Gene Ammons (tenor sax); Lou Donaldson (alto sax); Art Farmer (trumpet); Freddie Redd (piano); Addison Farmer (bass); Kenny Clarke (drums) and not one of them coasting. One track per side allowed for extended solos. 

This was the first time (I think) that I'd heard Donaldson - Bird lives! Ammons nestling somewhere between Dexter and Wardell and Farmer blowing like Chet only warmer.

Add Redd, Art's twin brother Addison and bop grandmaster Clarke to the mix and you have a classic album - Four Freshmen? never heard of them! 

Listen to Woofin' and Tweetin'

Lance.

PS: The sleeve of the album, Esquire 20-078, also included the price - 29/6½d (including tax) which was probably quite expensive back then when you could buy a pint for a shilling.

1 comment :

Mike Farmer said...

Hi Lance- I'm glad you chose Gene Ammons in Hi-Fi for your number 4 selection.I used to own this LP but no longer have it and miss it a lot. The recording is so good you feel like you are standing right next to the soloists. I once took down the tune Woofin' and Tweetin off the record and when I had a quintet we played it now and again.

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