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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17655 (and counting) posts since we started blogging 17 years ago. 929 of them this year alone and, so far, 74 this month (Dec. 31).

From This Moment On ...

January 2025

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jason Isaacs @ St James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Sat 04: Jason Isaacs @ STACK, Exchange Square, Middlesbrough. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 04: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £5.00. Xmas party (rescheduled from early December).

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 05: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Americana, jazz & blues.
Sun 05: Papa G’s Troves @ The Globe, Newcastle. 8:00pm. Free (donations).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 23, 2021

Album review: The Spontaneous Music Ensemble - Question and Answer 1966

The Spontaneous Music Ensemble enjoys mythical status, not least among free jazz devotees. Its driving force, drummer John Stevens, determined early in his career to focus upon 'free' and 'improvised' music. From the mid-sixties until his untimely death in 1994, Stevens' story is one of creative achievement with little in the way of financial reward. 

London's Little Theatre Club supported the attempts of Stevens and others to forge a new music at a time when precious few other venues were willing to do so. The Prince Albert in Greenwich did offer the SME a gig (June 22 to be precise), the session was recorded and it forms the basis of Question and Answer 1966, a two-disc release from Rhythm and Blues Records. Stevens teamed up with like-minded souls Trevor Watts, alto sax, Paul Rutherford, trombone, and bassist Bruce Cale to explore the possibilities of a new approach to music first signalled by Ornette Coleman. Their efforts on the night of June 22, in a typical pub setting, were committed to tape and it is only now that we can hear the previously unreleased material. 

Disc one comprises some thirty eight minutes of music followed by a lengthy Q & A played out against a low level hubbub punctuated by the ringing of the pub's cash register. The music comprises four tracks: two by unknown composers (the first of them titled Unknown) and two by Watts. If you were present on the night and didn't take notes it's unlikely that some fifty five years later you'll be able to recall in detail the titles of the improvisations! The music could be described as regulation high octane free jazz interspersed with moments of quiet reflection. 

Disc two features more from the Prince Albert and a session at an unknown London recording studio dated August 30, 1966. A lack of discographical information adds to the romance of it all, The question and answer session will appeal to the serious student of improvised music: a combination of earnest, inquiring minds and the musicians' considered, yet informal responses, sketch a picture of musician and audience experiencing a counter culture happening. The SME's improvisations will meet with the approval of the free jazz/improv aficionado.  
Russell

Question and Answer 1966 is a two-CD release on Rhythm and Blues Records (cat no. RANDBO68).     

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