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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17957 (and counting) posts since we started blogging 17 years ago. 278 of them this year alone and, so far, 34 this month (April 14).

From This Moment On ...

April 2025.

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.

Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).RESCHEDULED FOR JUNE 13

Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. CANCELLED! 7:30pm (doors). £25.00.

Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Mon 21: Newcastle Record Fair @ Copthorne Hotel, Newcastle. 10:00am. Going in search of the Buddy Bolden cylinder…
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 22: Abbie Finn Trio @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, April 26, 2021

Album review: Têlêmaque - the King's Hall Concert

Joe McPhee (sax/trumpet); John Pope (double bass); Paul Hession (percussion)  

Live recordings of improvised music don’t usually work for me but the latest release by the fledgling New Jazz and Improvised Recording Label is a fine exception. The King’s Hall Concert by Têlêmaque is an exceptional recording so thrilling that at times it felt like I was actually experiencing the music live. The album was recorded in Newcastle University’s King’s Hall in 2018.

The album consist of two pieces: St Elmo’s Fire: Part I and St Elmo’s Fire Part II.  A very atmospheric start with chanting and great percussive effects lead into some whirlwind ensemble playing but it is not all crash, bang, wallop, there are some lovely, quieter, reflective passages too.

Some of McPhee’s playing has a real John Coltrane feel. 

Part I stomped out with a great flourish. Part II began with a long intro from the double bass of John Pope and the multi-layered percussion of Paul Hession. Joe McPhee then joins in a  Rollins-esque style employing  a repetitive motif to build up the tension, the whole piece then explodes into a glorious, exhilarating , pulsating groove. Gently we are brought back down to earth and McPhee produces a wonderful melodic, melancholic and poignant solo again in Coltrane like style, Hession and Pope then return to deliver the perfect ending.

A wonderful album, fantastic musicianship, and mutual understanding shown by a fabulous multi–generational transatlantic trio.

The album was recorded in Newcastle University’s King’s Hall in 2018 and the trio regrouped for another performance in pre-pandemic 2020 - hopefully there will be a recording released of that gig in the not too distant future. 
Steve H

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