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Bebop Spoken There

Marcella Puppini (in concert with the Puppini Sisters at Sunderland Fire Station, November 27, 2024): ''We've never played there, but we've looked it up, and it looks amazing.''. (The Northern Echo, November 21, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17562 (and counting) posts since we started blogging 16 years ago. 836 of them this year alone and, so far, 74 this month (Nov. 22).

From This Moment On ...

November

Sun 24: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sun 24: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 24: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Skerritt (solo) performing with backing tapes.
Sun 24: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 24: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 24: Washboard Resonators @ Georgian Theatre, Stockton. 3:00pm. £8.00.
Sun 24: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 24: Groovetrain @ Hoochie Coochie, Newcastle. £15.00. + bf. 5:15pm (4:00pm doors). SOLD OUT!
Sun 24: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 24: Greg Abate w. Dean Stockdale Trio @ The Globe. 8:00pm.
Sun 24: Lighthouse Trio @ The Glasshouse, Gateshead. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.

Tue 26: Alexia Gardner Quintet @ The Black Swan, Newcastle. 7:30pm (7:00pm doors). £12.00.; £10.00. advance.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 27: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free. Vocalist Isaacs working with backing tapes.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 27: Puppini Sisters @ The Fire Station, Sunderland. 7:30pm.
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Paul Skerritt @ Ashington High Street. 5:45pm. Xmas lights switch-on.
Thu 28: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues singer!
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guests: Richie Emmerson (tenor sax); Dan Johnson (alto sax); Graham Thompson (keys); Adrian Beadnell (bass)

Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Jamie Cullum @ The Glasshouse, Gateshead. 7:00pm. SOLD OUT!
Fri 29: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 29: Living in Shadows (Zoë Gilby Quintet) + OUTRI @ Central Bar, Gateshead. 8:00pm. £10.00. + bf. Tickets: www.wegottickets.com. Zoe & Andy + Ian Paterson’s OUTRI solo bass project.
Fri 29: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Jason Isaacs @ St James’ STACK, Newcastle. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 30: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 30: House of the Black Gardenia @ Swing Tyne & NUSS Winter Ball, John Marley Centre, Benwell, Newcastle. 7:30pm. £15.00. Swing dancing, DJs & live music from House of the Black Gardenia!
Sat 30: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, March 20, 2020

Summertime (Black and) Blues

(By Lance)

Perhaps I should expand on my views regarding Gershwin's Summertime. Don't get me wrong, it's a great song that I loved hearing the first thousand or so times around but it has been covered that many times by that many great musicians and singers that you wonder why it is still being flogged to death.

Billie, Ella and other singers did it justice - they had an inkling of what they were singing about whereas young singers today, fresh out of college, haven't a clue about jumpin' fish or high cotton. Porgy and Bess produced some great songs - including the aforementioned - but, at the end of the day, these were two Jewish guys writing about black slaves. 
An even, socially, worse song is Black and Blue.* The tune, composed by Fats Waller with lyrics by Andy Razaf, is a staple part of most (white) trad bands' repertoire. I cringe with embarrassment when I hear some white guy singing "What did I do to be so black and blue?" Maybe he should look in the mirror!

Perhaps if he'd substituted black and blue with white and red/blue it would have made more sense but no, Black and Blue ain't a song for Caucasian crooners.
Lance
* The first time I heard Black and Blue was hearing Louis singing it with the All-Stars on record at the memorable concert at Boston's Symphony Hall. I was only about 15 at the time but it opened up my eyes to, not only the racial situation in America, but how it existed even closer to home. 

A few years earlier, Peggy, a black girl, lived a couple of doors down from us in Jarrow and she was beautiful and used to sing and dance with us kids when we were playing out in the street. Not every one was happy about her living in the street but, if I'd been ten years older I'd have asked her to marry me!
Peggy where are you?
Lance

8 comments :

Steve T said...

Miles Davis and Gil Evans version cannot be bettered for me. Everybody should watch the Live at Montreux with Quincy Jones; I wept like a baby the first five or six times I saw it.

Anonymous said...

Benson - uptown
Is a cool version... Part of the problem is that people at jams call theses tunes (I. E summertime, Stella, ATTYa etc) just because someone told them to learn these tunes and half they time they don't really know the tunes or have a good reason for playing them.

Anonymous said...

Also Steve, Kenny Garrett is baaaad on that version! As per...

Brian Bennett said...

Sorry to disagree, Lance, but I think every singer/band (regardless of their colour or creed) should sing/perform 'Black and Blue'. The poignant lyrics are a stark reminder to everyone just how difficult life was for black people in the 20’s and 30’s. Whenever we (the VCJ) play it I always prompt the audience to listen carefully to the lyrics and when Fred Thompson or Jim McBriarty sing it you can hear a pin drop.
Yes, it’s a number performed and sang by all the New Orleans/Dixieland bands and the reason for that is, it’s a fab tune with brilliant lyrics - a classic jazz standard in fact.

BLACK and BLUE Fats Waller, Andy Razaf 1929. R - Louis Armstrong ’29
Cold, empty bed, springs hard as lead
Pains in my head, feel like old Ned
What did I do to be so black and blue?

No joys for me, no company
Even the mouse ran from my house
All my life through I've been so black and blue

I'm white inside, it don't help my case
'Cause I can't hide, what is on my face, oh!

I'm so forlorn, life's just a thorn
My heart is torn, why was I born?
What did I do to be so black and blue?

'Cause you're black, folks think you lack
They laugh at you, and scorn you too
What did I do to be so black and blue?

Steve T said...

Disagree's good; we like disagreement.

Lance said...

I agree it's a great tune - what Fats Waller tune isn't? And yes, it's a great lyric - when sung by a black person. Sung by a white person it reminds me of the Black and White Minstrels or Al Jolson blacking up to sing Mammy...

Brian Bennett said...

Over the years I’ve heard BLACK and BLUE performed by many vocalists including local band singers Annie Jenkins, Dave Hedley, Fred Rowe, Jim Ruddick, Colin Aitchison, Maureen Hall, Olive Rudd, etc. and never once did the Black & White Minstrels or Al Jolson pop into my head - how strange!

Anonymous said...

From Ann Alex, I'd never paid too much attention to the lyrics of 'Black and Blue' until this blog discussion. I object mainly to the line 'I'm white inside' which suggests that whiteness is somehow the standard to reach for. Why should that be the case? Black and White are equal.
I suppose the song is trying to say 'we are all the same inside' but it makes a bad job of expressing this. Personally I'd rather not sing this song.

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