Total Pageviews

Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 18: Zoë Gilby Quartet @ The Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Friday, February 14, 2020

CD Review: Pete Whittaker, Art Themen, George Double - Thane & The Villeins

Art Themen (tenor sax); Pete Whittaker (organ); George Double (drums).
(Review by James Henry)

Just once in a while one chances upon a new album that is just perfect, and love at first listen.  Thane & The Villeins is one of those rare gems.  Organ trios are unusual, and can be a tad heavy, especially if the mighty Hammond is given full rein.  Thankfully, Themen, Whittaker and Double give us a light and playful synergy in this collection of quirky tunes, to be released today (February 14).

Thane & The Villeins is a new project from Art Themen, and the album celebrates his 80th birthday. Themen has had a truly remarkable career, for many years combining work as a consultant orthopaedic surgeon and playing saxophone with Stan Tracey, Alexis Korner and other British jazz luminaries. Now retired from his clinical duties, Themen is still going strong as a jazz musician, and there is still an energy and invention to his playing that makes it constantly exciting. Pete Whittaker gained experience in the 1990s playing in rock bands, including The Wonder Stuff, but has come back to jazz, and has mastered the Hammond organ, clearly influenced by the great Jimmy Smith.   Drummer George Double has worked with Dame Shirley Bassey, Marc Almond and Alan Barnes, to name but a few.

The album is a celebration of the tenor saxophone canon, with clear homage to Sonny Rollins, Dexter Gordon and Hank Mobley. A strong groove guides the collection of 10 tracks, set up beautifully by Double’s unwavering drumming, and Whittaker’s funky use of the Hammond bass. The band begin with Recado Bossa Nova by Djalma Ferreira.  Hanky Panky (Dexter Gordon) begins as a tight syncopated swing, morphing into a wild improvisation by Themen.  And What if I Don’t? (Herbie Hancock) gets a relaxed, bluesy groove. I’m An Old Cowhand (Mercer) gives George Double his first solo (and a chance to play the horse’s hooves). The pace only really relaxes for Willow Weep for Me (Ronell) and Themen and Whittaker both take sensitive solos. As a finale we get Sweet Emma (Nat Adderley), an ideal showcase for all that is good about the Hammond organ, where Whittaker rustles up a gospel-like fervor, aided and abetted by Themen, and the album romps on: only a slow fade can stop the ecstasy.

It is impossible to fault Thane & The Villeins.  Themen and Whittaker complement each other faultlessly, blending seamlessly at times, and Double keeps order with steady but imaginative drumming. Simon Paterson’s mixing and mastering are clear and well balanced, adding to the perfection.

So, we have a collection of funky, quirky tunes, a strong groove and a stunning debut album for this brand-new organ trio.  Jazz doesn’t get much better than this.  But why call the album “Thane & The Villeins”?   Well, buy the album and the sleeve note will reveal all.  
(Released February 14, Hadleigh Jazz Records)
James Henry

No comments :

Blog Archive