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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Saturday, February 15, 2020

What to Expect – Except Brilliant? Graeme Wilson and Paul Edis play the music of Monk @ The Lit & Phil, Newcastle – Feb. 14.

Graeme Wilson (tenor sax); Paul Edis (piano)
(Review by Jerry)

Fifteen years ago I knew the name, Thelonius Monk, but little else. I was intrigued by an early Edis composition, I Wish I Were a Monk, from which I learned that this is very distinctive music which never fails to elicit strong audience response. In my case, it always made me smile. When I first heard Paul playing ‘Round Midnight, I realised that I knew one of Monk’s tunes but could not have told you that. Zoë Gilby’s excellent show, Pannonica, progressed my learning curve somewhat but as of this morning (I checked!) I still only needed the fingers of one hand to list the Monk titles I could remember. None of my memorable five were on today’s programme so I had no idea what to expect – except that, having often seen these two musicians over the same fifteen-year period, it would be brilliantly played.

My ignorance of the set-list is partly excused by the fact that Messrs. Edis and Wilson had deliberately chosen to record (see Russell’s review from Feb 11) and to play here, tunes by Monk which are less well-known and seldom performed. Wilson quipped that for some of Monk’s 72 compositions you could see why they were seldom performed! That did not apply to any of today’s ten numbers all of which were memorable enough for me, now, to need the fingers of the other hand plus a set of toes!

I will try not to duplicate Russell’s comments – I have to acknowledge the superior wisdom of one who can even whistle Monk tunes never mind merely reciting the titles – but here are some random observations. Watching a live performance so close that one can see the hands on the keyboard and the fingers on the sax emphasises the complexity of the music and the dexterity of the players as well as revealing the almost intuitive closeness they have developed over the years which enables them to synchronise helter-skelter stuff such as Four in One or Trinkle Tinkle. After the latter, Edis commented to the audience that it was tough to play on piano but harder still on sax so extra applause for Graeme Wilson on that one. Going off on a tangent, I really enjoyed the varied endings to today’s ten tunes: is that down to Monk as composer or to our musicians?

I had to wonder why Monk put the “ugly” in Ugly Beauty – a dreamy, melodic number which, along with Jackie-ing and Monk’s Mood, showed that our musicians were just as good interpreting the slower tunes as well as the more quirky and quixotic ones. Their opening for San Fransisco Holiday (Worry Later) had Edis with his head in the piano as if to smash it (as one of Pannonica’s guests thought Monk was doing) and Wilson making extraordinary clicking noises with his sax: this was to attempt to replicate the drummer’s opening on the original recording. It certainly got the attention of the audience! Hornin’ In contained more of what my scribbled notes recorded as “crazy stuff” (in an entirely good way) and ended with trilling piano and vibrato sax which took me back to my original reaction to that tribute piece of Paul’s – great amusement.

The entire audience (85 Monk fans, no less) was amused and richly entertained right through to the growling sax and wonderful stride piano of Epistrophy – a tune which, apparently, I ought to have known as it was always Monk’s closing number.
The album, Big as a Mountain, Small as a Pin is available to stream and download from Itunes, Apple Music, Spotify etc. On the evidence of this gig, it is highly recommended.
Jerry

1 comment :

Pam Young (on F/b) said...

We weren't disappointed, it truly was brilliant. Thank you Paul and Graeme 🎶

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