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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).
R.I.P. Sue Mingus (April 2, 1930 - Sept. 24, 2022).

Bebop Spoken There

Larry Klein: "- in a certain way - Leonard [Cohen] is the greatest songwriter ever." - (Jazzwise October 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14602 (and counting) posts since we started blogging 14 years ago. 880 of them this year alone and, so far, 80 this month (Sept. 26).

From This Moment On ...

September

Tue 27: Beth Clarke @ British Legion Club, West Jesmond, Newcastle. 1:00-4:00pm. Free.
Tue 27: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 27: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 28: Battle of the Bands @ NE Volume Music Bar, Yarm Lane, Stockton. Doors 6:00pm. Tickets: £5.00. adv., £6.00. on the door. Participants inc. Milne Glendinning Band.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 28: 4B @ The Exchange, North Shields. 7:00pm.
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 28: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).
Wed 28: Laura Jurd @ Sage Gateshead. 8:00pm.

Thu 29: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 29: Ushaw Ensemble @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 29: Czajka & Puchaz + Mark Solborg + Anthropology @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 29: ‘58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 29: Peter Morgan Trio @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 30: Adam Johnson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 30: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 30: Pete Churchill & Noel Dennis: Exploring the Jazz Metaphor in Leadership & Management @ Lit & Phil, Newcastle. 2:30-4:00pm. Workshop.Tickets: £3.30 (inc. bf). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: FILM: Bird (Dir. Clint Eastwood) + Swing Bridge (in the bar) @ Forum Cinema, Hexham. 6:30pm.
Fri 30: Orphy Robinson + Maniscalco-Bigoni-Solborg + Nicole Mitchell + Binker Golding-Alexander Hawkins-John Pope-Paul Hession @ Lit & Phil, Newcastle (7:00pm). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Ushaw Ensemble @ St Mary’s Church, Holy Island. 7:30pm.
Fri 30: Alter Ego @ Prohibition Bar, Newcastle. 8:00pm.
Fri 30: King Bee @ The Craig Charles Funk & Soul Club, Independent, Sunderland. 9:00pm. £22.50. DJs + King Bee.

October

Sat 01: Dale Storr @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Nicole Mitchell & Alexander Hawkins @ The Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Pete Churchill. £25.00. Enrol at: www.jazz.coop.
Sat 01: Orphy Robinson (in conversation); Beck Hunters w John Pope & Laura Cole; Daniel Levin; Black Top w Mariam Rezaei @ Lit & Phil, Newcastle. 6:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm.
Sat 01: King Bees @ Grainger Market, Newcastle. 9:00-9:45pm. A Great Market Caper multi-bill event. Superb Chicago blues band. Doors: 6:30pm. Tickets: £10.00. + bf.

Sun 02 RUTH LAMBERT TRIO @ Spanish City, Whitley Bay. 12 noon.
Sun 02: Helena Anahita Wilson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 02: Zoë Gilby Trio w Noel Dennis + John Garner & John Pope + Dilutey Juice @ The Globe, Newcastle. 2:00pm. £7.00.
Sun 02: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 02: Lindsay Hannon's 'Tom Waits for No Man' @ Three Tanners Bank, North Shields. 6:00pm. Free.
Sun 02: Celebrating the Life & Music of Pharoah Sanders @ Prohibition Bar, Newcastle. 7:00pm. £8.00. on the door. Feat. Sue Ferris, Paul Gowland, Tom Atkinson, Jude Murphy, Jeff Armstrong.
Sun 02: Shifa + Bex Burch & Leafcutter John + Farida Amadou @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Saturday, February 15, 2020

What to Expect – Except Brilliant? Graeme Wilson and Paul Edis play the music of Monk @ The Lit & Phil, Newcastle – Feb. 14.

Graeme Wilson (tenor sax); Paul Edis (piano)
(Review by Jerry)

Fifteen years ago I knew the name, Thelonius Monk, but little else. I was intrigued by an early Edis composition, I Wish I Were a Monk, from which I learned that this is very distinctive music which never fails to elicit strong audience response. In my case, it always made me smile. When I first heard Paul playing ‘Round Midnight, I realised that I knew one of Monk’s tunes but could not have told you that. Zoë Gilby’s excellent show, Pannonica, progressed my learning curve somewhat but as of this morning (I checked!) I still only needed the fingers of one hand to list the Monk titles I could remember. None of my memorable five were on today’s programme so I had no idea what to expect – except that, having often seen these two musicians over the same fifteen-year period, it would be brilliantly played.

My ignorance of the set-list is partly excused by the fact that Messrs. Edis and Wilson had deliberately chosen to record (see Russell’s review from Feb 11) and to play here, tunes by Monk which are less well-known and seldom performed. Wilson quipped that for some of Monk’s 72 compositions you could see why they were seldom performed! That did not apply to any of today’s ten numbers all of which were memorable enough for me, now, to need the fingers of the other hand plus a set of toes!

I will try not to duplicate Russell’s comments – I have to acknowledge the superior wisdom of one who can even whistle Monk tunes never mind merely reciting the titles – but here are some random observations. Watching a live performance so close that one can see the hands on the keyboard and the fingers on the sax emphasises the complexity of the music and the dexterity of the players as well as revealing the almost intuitive closeness they have developed over the years which enables them to synchronise helter-skelter stuff such as Four in One or Trinkle Tinkle. After the latter, Edis commented to the audience that it was tough to play on piano but harder still on sax so extra applause for Graeme Wilson on that one. Going off on a tangent, I really enjoyed the varied endings to today’s ten tunes: is that down to Monk as composer or to our musicians?

I had to wonder why Monk put the “ugly” in Ugly Beauty – a dreamy, melodic number which, along with Jackie-ing and Monk’s Mood, showed that our musicians were just as good interpreting the slower tunes as well as the more quirky and quixotic ones. Their opening for San Fransisco Holiday (Worry Later) had Edis with his head in the piano as if to smash it (as one of Pannonica’s guests thought Monk was doing) and Wilson making extraordinary clicking noises with his sax: this was to attempt to replicate the drummer’s opening on the original recording. It certainly got the attention of the audience! Hornin’ In contained more of what my scribbled notes recorded as “crazy stuff” (in an entirely good way) and ended with trilling piano and vibrato sax which took me back to my original reaction to that tribute piece of Paul’s – great amusement.

The entire audience (85 Monk fans, no less) was amused and richly entertained right through to the growling sax and wonderful stride piano of Epistrophy – a tune which, apparently, I ought to have known as it was always Monk’s closing number.
The album, Big as a Mountain, Small as a Pin is available to stream and download from Itunes, Apple Music, Spotify etc. On the evidence of this gig, it is highly recommended.
Jerry

1 comment :

Pam Young (on F/b) said...

We weren't disappointed, it truly was brilliant. Thank you Paul and Graeme 🎶

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