Total Pageviews

Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, February 04, 2020

CD Review: Issie Barratt’s Interchange – Donna’s Secret


(Review by Hugh C)

Issie Barratt is well established on the jazz scene as an internationally active composer, arranger, conductor, baritone player, record producer and educator

Interchange (“In-to-change”)   is “an exciting new jazz dectet comprising ten of the nation’s most innovative award-winning composers and improvisers –  Pushing at the boundaries and blurring all the edges!”

Donna’s Secret comprises eight newly commissioned works, each by a different composer, namely: Still Here (Karen Street); Donna’s Secret (Brigitte Beraha); Negomi (Nikki Iles); Samla Korna Med Kulning (Issie Barratt); Palmyra (Shirley Smart); Spontaneous Symmetry (Tori Freestone); Caliban (Cassie Kinoshi); Hope (Carol Jarvis).  

Each is written in response to a situation or life event the individual composer has encountered or experienced and detailed sleeve notes place each track in the context in which it was composed.

Still Here demonstrates tight ensemble playing interspersed by a Ceilidh-style dance rhythm featuring Karen Street’s accordion. Donna’s Secret features both musical (verbal and non-verbal) and spoken vocals, in both French and English, from Brigitte Beraha and Jessica Radcliffe.  Negomi is a reflective piece with Middle Eastern influences, written in response to the plight of refugees in the Calais camps.  Samla Korna Med Kulning commences with birdsong and cowbells and depicts women’s herding calls (Kulning) on the Fennoscandian peninsula.  Palmyra returns us to the Middle East (where the composer lived for several years).  Spontaneous Symmetry examines the patterns of nature and breakages in the usual symmetry, such as Freestone’s mother’s atrial fibrillation.  Caliban is Kinoshi’s response to the character in Shakespeare’s The Tempest.  Hope reflects the composer’s emotional journey through cancer juxtaposing darkness and loneliness with optimism and hope.

As observed in a previous review on Bebop Spoken Here (and quoted in the band’s publicity) this is a band, “full of sophisticated music and improvisational skill”.  The whole CD lasts a total of nearly 78 minutes and each track between 7 and 13 minutes.  Within each track there are contrasting elements reflecting the nature of the subject matter informing the composition.  

The CD bears repeated listening, and each time new nuances are discovered.  This is not one for “musical wallpaper” in the background and demands full attention from the listener.

Donna’s Secret is released by Fuzzy Moon Records (Catalogue FUZ015) and is available now.

Issie Barratt (Baritone Sax); Nikki Iles (Piano); Laura Jurd (Trumpet/Electronics); Jessica Radcliffe (Voice); Helena Kay (Clarinet/Alto Sax); Rosie Turton (Trombone); Shirley Smart (Cello); Karen Street (Accordion); Charlie Pyne (Bass); Katie Patterson (Percussion).
 Hugh

No comments :

Blog archive