Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, February 04, 2020

CD Review: Issie Barratt’s Interchange – Donna’s Secret


(Review by Hugh C)

Issie Barratt is well established on the jazz scene as an internationally active composer, arranger, conductor, baritone player, record producer and educator. 

Interchange (“In-to-change”)   is “an exciting new jazz dectet comprising ten of the nation’s most innovative award-winning composers and improvisers –  Pushing at the boundaries and blurring all the edges!”

Donna’s Secret comprises eight newly commissioned works, each by a different composer, namely: Still Here (Karen Street); Donna’s Secret (Brigitte Beraha); Negomi (Nikki Iles); Samla Korna Med Kulning (Issie Barratt); Palmyra (Shirley Smart); Spontaneous Symmetry (Tori Freestone); Caliban (Cassie Kinoshi); Hope (Carol Jarvis).  

Each is written in response to a situation or life event the individual composer has encountered or experienced and detailed sleeve notes place each track in the context in which it was composed.

Still Here demonstrates tight ensemble playing interspersed by a Ceilidh-style dance rhythm featuring Karen Street’s accordion. Donna’s Secret features both musical (verbal and non-verbal) and spoken vocals, in both French and English, from Brigitte Beraha and Jessica Radcliffe.  Negomi is a reflective piece with Middle Eastern influences, written in response to the plight of refugees in the Calais camps.  Samla Korna Med Kulning commences with birdsong and cowbells and depicts women’s herding calls (Kulning) on the Fennoscandian peninsula.  Palmyra returns us to the Middle East (where the composer lived for several years).  Spontaneous Symmetry examines the patterns of nature and breakages in the usual symmetry, such as Freestone’s mother’s atrial fibrillation.  Caliban is Kinoshi’s response to the character in Shakespeare’s The Tempest.  Hope reflects the composer’s emotional journey through cancer juxtaposing darkness and loneliness with optimism and hope.

As observed in a previous review on Bebop Spoken Here (and quoted in the band’s publicity) this is a band, “full of sophisticated music and improvisational skill”.  The whole CD lasts a total of nearly 78 minutes and each track between 7 and 13 minutes.  Within each track there are contrasting elements reflecting the nature of the subject matter informing the composition.  

The CD bears repeated listening, and each time new nuances are discovered.  This is not one for “musical wallpaper” in the background and demands full attention from the listener.

Donna’s Secret is released by Fuzzy Moon Records (Catalogue FUZ015) and is available now.

Issie Barratt (Baritone Sax); Nikki Iles (Piano); Laura Jurd (Trumpet/Electronics); Jessica Radcliffe (Voice); Helena Kay (Clarinet/Alto Sax); Rosie Turton (Trombone); Shirley Smart (Cello); Karen Street (Accordion); Charlie Pyne (Bass); Katie Patterson (Percussion).
 Hugh

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