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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14836 (and counting) posts since we started blogging 14 years ago. 1085 of them this year alone and, so far, 84 this month (Nov.28).

From This Moment On ...

November

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Helen Walker (French horn/trumpet) & Caroline Guirr (piano) @ St. Andrew's Church, Corbridge. 2:00pm. Duo concert by two members of 'The Wild Women of Wylam'. Part of the annual Christmas Tree Festival.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Friday, February 14, 2020

CD Review: Pete Whittaker, Art Themen, George Double - Thane & The Villeins

Art Themen (tenor sax); Pete Whittaker (organ); George Double (drums).
(Review by James Henry)

Just once in a while one chances upon a new album that is just perfect, and love at first listen.  Thane & The Villeins is one of those rare gems.  Organ trios are unusual, and can be a tad heavy, especially if the mighty Hammond is given full rein.  Thankfully, Themen, Whittaker and Double give us a light and playful synergy in this collection of quirky tunes, to be released today (February 14).

Thane & The Villeins is a new project from Art Themen, and the album celebrates his 80th birthday. Themen has had a truly remarkable career, for many years combining work as a consultant orthopaedic surgeon and playing saxophone with Stan Tracey, Alexis Korner and other British jazz luminaries. Now retired from his clinical duties, Themen is still going strong as a jazz musician, and there is still an energy and invention to his playing that makes it constantly exciting. Pete Whittaker gained experience in the 1990s playing in rock bands, including The Wonder Stuff, but has come back to jazz, and has mastered the Hammond organ, clearly influenced by the great Jimmy Smith.   Drummer George Double has worked with Dame Shirley Bassey, Marc Almond and Alan Barnes, to name but a few.

The album is a celebration of the tenor saxophone canon, with clear homage to Sonny Rollins, Dexter Gordon and Hank Mobley. A strong groove guides the collection of 10 tracks, set up beautifully by Double’s unwavering drumming, and Whittaker’s funky use of the Hammond bass. The band begin with Recado Bossa Nova by Djalma Ferreira.  Hanky Panky (Dexter Gordon) begins as a tight syncopated swing, morphing into a wild improvisation by Themen.  And What if I Don’t? (Herbie Hancock) gets a relaxed, bluesy groove. I’m An Old Cowhand (Mercer) gives George Double his first solo (and a chance to play the horse’s hooves). The pace only really relaxes for Willow Weep for Me (Ronell) and Themen and Whittaker both take sensitive solos. As a finale we get Sweet Emma (Nat Adderley), an ideal showcase for all that is good about the Hammond organ, where Whittaker rustles up a gospel-like fervor, aided and abetted by Themen, and the album romps on: only a slow fade can stop the ecstasy.

It is impossible to fault Thane & The Villeins.  Themen and Whittaker complement each other faultlessly, blending seamlessly at times, and Double keeps order with steady but imaginative drumming. Simon Paterson’s mixing and mastering are clear and well balanced, adding to the perfection.

So, we have a collection of funky, quirky tunes, a strong groove and a stunning debut album for this brand-new organ trio.  Jazz doesn’t get much better than this.  But why call the album “Thane & The Villeins”?   Well, buy the album and the sleeve note will reveal all.  
(Released February 14, Hadleigh Jazz Records)
James Henry

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