Alice Grace (vocals); Paul Edis (piano)
(Review by Russell/Photos courtesy of Mike Tilley)
George Shearing, Kenny Garrett, Freddie Hubbard, three seemingly disparate composers with which to open a set. Today's duo on the Mezzanine in Newcastle Arts Centre can handle all kinds of material and so it was that a capacity audience heard Lullaby of Birdland, She Waits for the New Sun and Little Sunflower.
All seats were occupied long before the one o'clock start and little wonder given that this afternoon's concert performance reunited Alice Grace and Paul Edis following their hugely successful first gig working together as a duo in November last year. Horace Silver's Sister Sadie featured a Paul Edis piano solo which matched the composer's effort when he appeared many moons ago at the Newcastle Jazz Festival!
Alice Grace sang Trudy Kerr's lyrics to Dave Holland's Dream of the Elders and followed up with You Don't Know What Love Is. The art of jazz singing is alive and well in the hands - should that be vocal chords? - of adopted Geordie Ms Grace. A light yet commanding approach, inventive, a wonderful elision of the straight lyric and magical, musical scatting beyond compare.
The full house hung around for a second set of GASbook to contemporary numbers, a set which opened with the combined talents of Norma Winstone, John Taylor and Alice Grace. A vocal dexterity not dissimilar to Winstone and a love of Taylor's (and Kenny Wheeler's) compositions place Ms Grace at the forefront of today's vocalists capable of singing the GASbook and more contemporary material.
Scat to die for on If I Should Lose You underpinned by Edis' walking left hand, Midnight Sun (comp. Hampton & Burke) with AG namechecking Ella, Everybody's Song but My Own (comp. K. Wheeler) then, as the three o'clock finish approached, Wrap Your Troubles in Dreams or, as Edis quipped, Wrap Your Dreams in Troubles! It had been a wonderful couple of hours or so, Grace and Edis should do it again, after all a capacity audience tells a story.
Russell
Russell
3 comments :
Alice Grace & Paul Edis what a jazz duo! an absolute delight, we live in a contemporary world that has some good stuff that was displayed by Alice and Paul, but an ultra sound stereo injection of the GASB juice gave the second half real class, midnight sun, you don't know what love is, and if I should lose you, had me saying YES! YES! YES!, I really can't help myself, men with white coats will one day take me away to a place that grown ups seldom understand.
I spent the first 25 years of my life living in London, and I have to that Alice Grace a fellow Londoner really hit the nail on the head
about London, the North East is far better, I hope that Paul Edis has a fruitful time in London, but a short one, Jazz in the north east is poorer without him.
BRIAN SHINE
I've been to the original Jazz Cafe before, but never to the mezzanine: a great venue. especially for a gig of this kind. As for the music, I agree with all the above (Russell's review and the comment)- both sets were fantastic but, for me, the stand-out number was Sister Sadie. Unforgettable!
JERRY
All of the above, plus Russell's review - I'm adding my agreement. Aren't we lucky to live in Geordieland - I say that as a transplanted Southerner! And aren't we doubly lucky to have amazing performers like Alice and Paul - with venues like this right here.
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