Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18947 (and counting) posts since we started blogging 18 years ago. 811 of them this year alone and, so far this month (Sept. 28.) 90.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Wed 30: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ The Traveller's Rest, Cockerton, Darlington. 7:00pm. Free. For one week only the rehearsal night will be at the Traveller's Rest (open to the public).
Wed 30: Tenderly: The Life & Times of Nat ‘King’ Cole @ The Hearth, Horsley. 7:30pm. £15.00., £12.00. (Early Bird advance ticket), £10.00. Off-Broadway production feat. Duane Forrest.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 30: New Ways of Moving in the Counterworlds + Juliana Day & Manon McCoy + Helen Anahita Wilson @ The Glasshouse, Gateshead. 8:00pm. A BBC Introducing-Newcastle Festival of Jazz & Improvised Music event.

October

Thu 01: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 01: Rivkala @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 01: Hot Club de Heaton @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 01: The Scenic Route @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 02: Alison Gill + Markrokosmos @ The Lit & Phil, Newcastle. 1:00pm. Newcastle Festival of Jazz & Improvised Music (NFOJAIM).
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Gilby & Hunter + Andy Champion @ The Lit & Phil, Newcastle. 6:00pm. NFOJAIM.
Fri 02: Abbie Finn Quartet @ Saltburn Community Hall. 7:30pm. The Abbie Finn Trio augmented by Dean Stockdale (piano).
Fri 02: Alexia Gardner Trio @ Warkworth Memorial Hall. 7:30pm. £15.00.
Fri 02: Zoe Rahman Trio @ The Lit & Phil, Newcastle. 8:00pm. NFOJAIM. SOLD OUT!

Sat 03: New Orleans Ragtime Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club. Gavin Lee & co.
Sat 03: Anemone Quartet + Jeepe Zeeburg @ The Lit & Phil, Newcastle. 1:00pm. NFOJAIM.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Caravan. Enrol at: learning@jazz.coop.
Sat 03: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Free. Excellent blues band.
Sat 03: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.50 (inc. bf). Two sets: 7:30-8:15pm & 8:45-9:30pm. ‘Swing Band Dance Night’.
Sat 03: Olie Brice Quartet + Alexander Hawkins + Harper Trio @ The Lit & Phil, Newcastle. 7:00pm. NFOJAIM.
Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Sunday, February 02, 2020

The Big Blind @ The Queen Elizabeth Hall, Southbank Centre, London - Jan. 31


The BBC Concert Orchestra performs alongside an all-star cast in ‘The Big Blind’ - a noir-inspired jazz audio drama by Kurt Elling and Phil Galdston. 
(Review by Lauren Bush/Photos © Tom Howard)
Cast:
Clarke Peters Eddie Freeman, an older, African-American jazz saxophonist
Kurt Elling Jack Lewis, a young, up-and-coming jazz vocalist
Ian Shaw Tony ‘The Mongoose’ Bonilla, a mob-connected British talent manager
Dee Dee Bridgewater Veronica Legrand, a middle-aged, African-American talent manager
Cherise Adams-Burnett Jilly Radford, a young, African-American photographer
Jeff Ward Foley artist/announcer
Guy Barker conductor/arranger
A “big blind” is a poker term that describes a bet you have to make when you don’t know what the cards will show. The Big Blind, performed for it’s UK debut at Queen Elizabeth Hall in the Southbank Centre, is based loosely on the true story of Chicago jazz singer Joe E. Lewis who found out the hard way what kind of trouble the music business could get him into.

The musical follows the career of up-and-coming jazz singer Jack Lewis who ends up getting caught in a tug-of-war between two crooked managers. Things get ugly and Jack gets hurt, his voice suffering in the cruel attack. After hitting rock bottom, he seeks the help of his young ingénue and finds a way to recover and express himself. 

Kurt Elling, the mastermind behind this whole endeavour, grew up and worked as a jazz singer in Chicago and felt inspired by the scene and the stories he knew so well. His love of radio dramas as a child motivated his idea, paying homage to a time when those radio plays were as popular as the music he sings.

After meeting Guy Barker while working on another song project, Elling realised he would finally be able to turn his concept into a reality with the help of Barker and his songwriting partner Phil Galdston. The inaugural production was performed at Lincoln Center in New York last year with a smaller orchestra but this production would feature the entire (65 musicians listed in the program) BBC Concert Orchestra.
Set up like a live radio drama, the cast was comprised of Clarke Peters, who narrated most of the show, playing Jack Lewis’ friend, confident and tenor sax player. Dee Dee Bridgewater played the endearing yet feisty manager and wife, Veronica Legrand. The villainous money-hungry Tony ‘The Mongoose’ Bonilla was played by Ian Shaw and the ingénue bright-eyed photographer by Cherise Adams-Burnett. There was also the special Foley Artist, Jeff Ward, who was very interesting to watch, especially during the fight scenes. Elling, of course, played the lead character, naïve Jack Lewis, falling for the bright lights and too-good-to-be-true deals of Vegas.  

The production was inspiring. It brought the whole audience into a world that’s long been forgotten. The massive orchestral arrangements filled the hall with Barker’s beautiful arrangements. Each performer had internalised the songs, channelling Elling’s distinct writing style in their own way. Adams-Burnett carried the music so charmingly bringing softness to her songs while still having such power in her voice. Peters endearingly connected the audience with a sincere clarity in his role, and Shaw and Bridgewater’s character development played on the love/hate relationship necessary for a successful villain. They are both experts at delivering the comedy and the drama of a lyric.

This project was a sold-out success. It captured the nostalgia of the music, the era and the place perfectly and it was wonderful to hear Elling’s voice, while in a different context, still just as powerful, playful and flawless as usual.
Lauren Bush. 
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About Lauren Bush:

twitter: @laurenbushjazz 
instagram: @laurenbushjazz

All My Treasures
You can listen to the album here.


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Solid Debut ★★★1/2 stars ~Downbeat Magazine

Supremely Confident Vocalist, A mature and very experienced artist...
★★★★1/2 stars ~All About Jazz

Top 5 Finalist Sarah Vaughan International Jazz Vocal Competition 2016.

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