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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, February 02, 2020

The Big Blind @ The Queen Elizabeth Hall, Southbank Centre, London - Jan. 31


The BBC Concert Orchestra performs alongside an all-star cast in ‘The Big Blind’ - a noir-inspired jazz audio drama by Kurt Elling and Phil Galdston. 
(Review by Lauren Bush/Photos © Tom Howard)
Cast:
Clarke Peters Eddie Freeman, an older, African-American jazz saxophonist
Kurt Elling Jack Lewis, a young, up-and-coming jazz vocalist
Ian Shaw Tony ‘The Mongoose’ Bonilla, a mob-connected British talent manager
Dee Dee Bridgewater Veronica Legrand, a middle-aged, African-American talent manager
Cherise Adams-Burnett Jilly Radford, a young, African-American photographer
Jeff Ward Foley artist/announcer
Guy Barker conductor/arranger
A “big blind” is a poker term that describes a bet you have to make when you don’t know what the cards will show. The Big Blind, performed for it’s UK debut at Queen Elizabeth Hall in the Southbank Centre, is based loosely on the true story of Chicago jazz singer Joe E. Lewis who found out the hard way what kind of trouble the music business could get him into.

The musical follows the career of up-and-coming jazz singer Jack Lewis who ends up getting caught in a tug-of-war between two crooked managers. Things get ugly and Jack gets hurt, his voice suffering in the cruel attack. After hitting rock bottom, he seeks the help of his young ingénue and finds a way to recover and express himself. 

Kurt Elling, the mastermind behind this whole endeavour, grew up and worked as a jazz singer in Chicago and felt inspired by the scene and the stories he knew so well. His love of radio dramas as a child motivated his idea, paying homage to a time when those radio plays were as popular as the music he sings.

After meeting Guy Barker while working on another song project, Elling realised he would finally be able to turn his concept into a reality with the help of Barker and his songwriting partner Phil Galdston. The inaugural production was performed at Lincoln Center in New York last year with a smaller orchestra but this production would feature the entire (65 musicians listed in the program) BBC Concert Orchestra.
Set up like a live radio drama, the cast was comprised of Clarke Peters, who narrated most of the show, playing Jack Lewis’ friend, confident and tenor sax player. Dee Dee Bridgewater played the endearing yet feisty manager and wife, Veronica Legrand. The villainous money-hungry Tony ‘The Mongoose’ Bonilla was played by Ian Shaw and the ingénue bright-eyed photographer by Cherise Adams-Burnett. There was also the special Foley Artist, Jeff Ward, who was very interesting to watch, especially during the fight scenes. Elling, of course, played the lead character, naïve Jack Lewis, falling for the bright lights and too-good-to-be-true deals of Vegas.  

The production was inspiring. It brought the whole audience into a world that’s long been forgotten. The massive orchestral arrangements filled the hall with Barker’s beautiful arrangements. Each performer had internalised the songs, channelling Elling’s distinct writing style in their own way. Adams-Burnett carried the music so charmingly bringing softness to her songs while still having such power in her voice. Peters endearingly connected the audience with a sincere clarity in his role, and Shaw and Bridgewater’s character development played on the love/hate relationship necessary for a successful villain. They are both experts at delivering the comedy and the drama of a lyric.

This project was a sold-out success. It captured the nostalgia of the music, the era and the place perfectly and it was wonderful to hear Elling’s voice, while in a different context, still just as powerful, playful and flawless as usual.
Lauren Bush. 
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About Lauren Bush:

twitter: @laurenbushjazz 
instagram: @laurenbushjazz

All My Treasures
You can listen to the album here.


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Solid Debut ★★★1/2 stars ~Downbeat Magazine

Supremely Confident Vocalist, A mature and very experienced artist...
★★★★1/2 stars ~All About Jazz

Top 5 Finalist Sarah Vaughan International Jazz Vocal Competition 2016.

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