
Cast:Clarke Peters Eddie Freeman, an older, African-American jazz saxophonistKurt Elling Jack Lewis, a young, up-and-coming jazz vocalistIan Shaw Tony ‘The Mongoose’ Bonilla, a mob-connected British talent managerDee Dee Bridgewater Veronica Legrand, a middle-aged, African-American talent managerCherise Adams-Burnett Jilly Radford, a young, African-American photographerJeff Ward Foley artist/announcerGuy Barker conductor/arranger
Kurt
Elling, the mastermind
behind this whole endeavour, grew up and worked as a jazz singer in Chicago and
felt inspired by the scene and the stories he knew so well. His love of radio
dramas as a child motivated his idea, paying homage to a time when those radio
plays were as popular as the music he sings.
Set up like a live radio drama, the cast
was comprised of Clarke Peters, who
narrated most of the show, playing Jack Lewis’ friend, confident and tenor sax
player. Dee Dee Bridgewater played
the endearing yet feisty manager and wife, Veronica Legrand. The villainous
money-hungry Tony ‘The Mongoose’ Bonilla was played by Ian Shaw and the ingénue bright-eyed photographer by Cherise Adams-Burnett. There was also
the special Foley Artist, Jeff Ward,
who was very interesting to watch, especially during the fight scenes. Elling,
of course, played the lead character, naïve Jack Lewis, falling for the bright
lights and too-good-to-be-true deals of Vegas.
The production was inspiring. It brought
the whole audience into a world that’s long been forgotten. The massive
orchestral arrangements filled the hall with Barker’s beautiful arrangements.
Each performer had internalised the songs, channelling Elling’s distinct
writing style in their own way. Adams-Burnett carried the music so charmingly
bringing softness to her songs while still having such power in her voice.
Peters endearingly connected the audience with a sincere clarity in his role,
and Shaw and Bridgewater’s character development played on the love/hate
relationship necessary for a successful villain. They are both experts at
delivering the comedy and the drama of a lyric.
This project was a sold-out success. It
captured the nostalgia of the music, the era and the place perfectly and it was
wonderful to hear Elling’s voice, while in a different context, still just as
powerful, playful and flawless as usual. About Lauren Bush:
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