Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, February 02, 2020

The Big Blind @ The Queen Elizabeth Hall, Southbank Centre, London - Jan. 31


The BBC Concert Orchestra performs alongside an all-star cast in ‘The Big Blind’ - a noir-inspired jazz audio drama by Kurt Elling and Phil Galdston. 
(Review by Lauren Bush/Photos © Tom Howard)
Cast:
Clarke Peters Eddie Freeman, an older, African-American jazz saxophonist
Kurt Elling Jack Lewis, a young, up-and-coming jazz vocalist
Ian Shaw Tony ‘The Mongoose’ Bonilla, a mob-connected British talent manager
Dee Dee Bridgewater Veronica Legrand, a middle-aged, African-American talent manager
Cherise Adams-Burnett Jilly Radford, a young, African-American photographer
Jeff Ward Foley artist/announcer
Guy Barker conductor/arranger
A “big blind” is a poker term that describes a bet you have to make when you don’t know what the cards will show. The Big Blind, performed for it’s UK debut at Queen Elizabeth Hall in the Southbank Centre, is based loosely on the true story of Chicago jazz singer Joe E. Lewis who found out the hard way what kind of trouble the music business could get him into.

The musical follows the career of up-and-coming jazz singer Jack Lewis who ends up getting caught in a tug-of-war between two crooked managers. Things get ugly and Jack gets hurt, his voice suffering in the cruel attack. After hitting rock bottom, he seeks the help of his young ingénue and finds a way to recover and express himself. 

Kurt Elling, the mastermind behind this whole endeavour, grew up and worked as a jazz singer in Chicago and felt inspired by the scene and the stories he knew so well. His love of radio dramas as a child motivated his idea, paying homage to a time when those radio plays were as popular as the music he sings.

After meeting Guy Barker while working on another song project, Elling realised he would finally be able to turn his concept into a reality with the help of Barker and his songwriting partner Phil Galdston. The inaugural production was performed at Lincoln Center in New York last year with a smaller orchestra but this production would feature the entire (65 musicians listed in the program) BBC Concert Orchestra.
Set up like a live radio drama, the cast was comprised of Clarke Peters, who narrated most of the show, playing Jack Lewis’ friend, confident and tenor sax player. Dee Dee Bridgewater played the endearing yet feisty manager and wife, Veronica Legrand. The villainous money-hungry Tony ‘The Mongoose’ Bonilla was played by Ian Shaw and the ingénue bright-eyed photographer by Cherise Adams-Burnett. There was also the special Foley Artist, Jeff Ward, who was very interesting to watch, especially during the fight scenes. Elling, of course, played the lead character, naïve Jack Lewis, falling for the bright lights and too-good-to-be-true deals of Vegas.  

The production was inspiring. It brought the whole audience into a world that’s long been forgotten. The massive orchestral arrangements filled the hall with Barker’s beautiful arrangements. Each performer had internalised the songs, channelling Elling’s distinct writing style in their own way. Adams-Burnett carried the music so charmingly bringing softness to her songs while still having such power in her voice. Peters endearingly connected the audience with a sincere clarity in his role, and Shaw and Bridgewater’s character development played on the love/hate relationship necessary for a successful villain. They are both experts at delivering the comedy and the drama of a lyric.

This project was a sold-out success. It captured the nostalgia of the music, the era and the place perfectly and it was wonderful to hear Elling’s voice, while in a different context, still just as powerful, playful and flawless as usual.
Lauren Bush. 
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About Lauren Bush:

twitter: @laurenbushjazz 
instagram: @laurenbushjazz

All My Treasures
You can listen to the album here.


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Solid Debut ★★★1/2 stars ~Downbeat Magazine

Supremely Confident Vocalist, A mature and very experienced artist...
★★★★1/2 stars ~All About Jazz

Top 5 Finalist Sarah Vaughan International Jazz Vocal Competition 2016.

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