Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, February 11, 2020

Digital album review: Paul Edis & Graeme Wilson - Big as a Mountain, Small as a Pin: Paul Edis & Graeme Wilson play the music of Thelonious Monk

Paul Edis (piano); Graeme Wilson (tenor saxophone)
(Review by Russell)

Over a period of ten years and more pianist Paul Edis and saxophonist Graeme Wilson have worked together in several high profile outfits including the Paul Edis Sextet, the Graeme Wilson Quartet, Splinter Group and ACV. In addition they have released their own albums including those of Edis' sextet on which Wilson can be heard playing reeds and Wilson's quartet on which Edis plays piano. Now, some two and a half years on from recording as a duo, Edis and Wilson are about to release an online album of the music of a shared enthusiasm - Thelonious Monk. 

It is some five years or so since Edis and Wilson played the first of their occasional Monk gigs and this digital-only release comprises several of the compositions heard in concert during that time. Ten tracks - from the opening Four in One with its many 16th notes to a stately Monk's Mood to Wilson's muscular tenor sax and Edis' subtle stride patterns on the closing Epistrophy - Big as a Mountain, Small as a Pin is a fascinating listen. 

Thelonious Monk composed and recorded a lot of material and the selections on this online album are drawn from across two decades, ranging from the early career Monk's Mood (1947) to mid/late career Ugly Beauty (1967), the latter being Monk's sole waltz and recorded only once (Underground LP on Columbia). Edis and Wilson interpret their subject's compositions with loving care yet it is unmistakably pianist Edis and saxophonist Wilson making their creative mark - TS Monk would undoubtedly have approved. 

Highlights come thick and fast but, to point to one particular highlight, Trinkle, Tinkle is a furious rat-a-tat-tat ride with Wilson, à la Coltrane, skillfully negotiating the fiendish melody and Edis digging back to Monk the quirky stride pianist just as Monk dug back to an earlier generation of stride piano giants.   
                
Big as a Mountain, Small as a Pin: Paul Edis & Graeme Wilson play the music of Thelonious Monk will be released as an online album on Friday 14th February and don't forget on that very same day Edis & Wilson play Monk at the Lit and Phil. 1:00pm. £6 on the door.

Ten tracks - 1) Four in One 2) Jackie-ing 3) We See 4) Monk's Mood 5) San Francisco Holiday (Worry Later) 6) Trinkle Tinkle 7) Ugly Beauty 8) Hornin' In 9) Light Blue 10) Epistrophy - with a total playing time of 54 minutes 57 seconds were recorded at Reid Concert Hall, Edinburgh on 25th July 2017 and recorded, mixed and mastered by Roderick Buchanan-Dunlop. Artwork by Fin McGeachy, design by Cath Keay.  
Russell

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