Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,066 (and counting) posts since we started blogging 18 years ago. 930 of them this year alone and, so far this month (Oct. 31) 109.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 06: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 1/3.
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Jazz Night: Bridget Metcalfe @ Saltburn House Hotel. From 6:00pm. Tickets: £40.00 (inc. a two-course meal & glass of Prosecco). Tel: 01287 658977.
Fri 06: The Exu + Kraabel/Harrison/Birchall @ Central Bar, Gateshead. 8:00pm. JNE.

Sat 07: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 2/3.
Sat 07: Ewan Bleach’s Cable Street Ragtime Band @ St Augustine’s Parish Centre, Darlington.
12:30pm. £10.00. Darlington New Orleans Jazz Club. Superb band.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Find Your Pocket: Funk & Groove. Enrol at: learning@jazz.coop.
Sat 07: Red Kites Jazz @ Costa Café, St James’ Retail Park, Newcastle. 2:00pm. Free.
Sat 07: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 6:00pm.

Sun 08: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 3/3.
Sun 08: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 08: Kaberry Big Band @ Forest Hall Social Club. 3:00pm. £7.00 (inc. tea & cake). Charity event for the Poppy Appeal.
Sun 08: Greg Abate w. Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm.

Monday, February 24, 2020

Vortex Conference

On 11 and 12 March, as part of an EU project with which we are involved at the Vortex, there will be a conference/showcase/workshop etc. at the club. In particular, there will be a public session about the state of the media as it now is. It is an opportunity to take into account the consolidation of the internet impact, as it complements and frequently is an essential replacement of the traditional media, such as BBC and newspapers.

The above, from Oliver Weindling of London’s Vortex, raises many important issues – not just about jazz but about life in general.

As a committed blogger – some say I should be committed – I’ve got an obvious interest. Without doubt the Internet has made information more readily available but, how reliable is that information? Years ago, the stock phrase used to be, “Don’t believe everything you read in the papers”. Today you can substitute online for in the papers.


In fact I remember reading, or hearing somebody say that information garnered on line should be regarded with the same pinch of salt as that elicited from a stranger in a pub ten minutes before last orders.

I must admit that it is satisfying having something such as a book or a glossy magazine even a tabloid newspaper in your hands and yet, if I’m in a pub and reading a book or a newspaper (unless it’s the racing page) I’m regarded as an oddity despite the fact that most others – even in company – are glued to the screens of their mobile phones!

All that aside, an online site that is constantly updated – and I mean by the minute and not by the day – is the way forward.

From a jazz point of view, apart from the specialist monthly print outlets, neither the broadcast media or the dailies (apart from the occasional weekly column) are going to tell you that so and so blew up a storm at a pub in East Lothian or that he had a gig coming up at a bar in Newcastle (on Tyne/under Lyme/Australia). They probably will tell you that he has a gig at Ronnie’s and that’s it.

Here, at BSH, we try to promote the local scene and it is gratifying when someone thanks you for bringing a gig to their attention (this, of course, can also backfire!) I'd also like to think that a localised blog such as BSH brings the local musician's profile to a wider/further afield audience. I know it works in reverse and encourages artists from further afield hoping to land gigs in the northeast which, I'm afraid, doesn't always work out despite our recommendations ...

Summing up, personally I still buy newspapers and mags knowing that, whilst I may not agree with what they say I recognise that I am dealing with professional journalists which not all, myself included, bloggers are.

By the same token, neither were the early jazz, blues, rock, pop musicians pros and yet they changed the course of music just as the pirate radio stations changed the course of broadcasting so It will be interesting to hear what emerges from the project at the Vortex.
Lance

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