Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Hey Remember This @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Monday, February 24, 2020

Vortex Conference

On 11 and 12 March, as part of an EU project with which we are involved at the Vortex, there will be a conference/showcase/workshop etc. at the club. In particular, there will be a public session about the state of the media as it now is. It is an opportunity to take into account the consolidation of the internet impact, as it complements and frequently is an essential replacement of the traditional media, such as BBC and newspapers.

The above, from Oliver Weindling of London’s Vortex, raises many important issues – not just about jazz but about life in general.

As a committed blogger – some say I should be committed – I’ve got an obvious interest. Without doubt the Internet has made information more readily available but, how reliable is that information? Years ago, the stock phrase used to be, “Don’t believe everything you read in the papers”. Today you can substitute online for in the papers.


In fact I remember reading, or hearing somebody say that information garnered on line should be regarded with the same pinch of salt as that elicited from a stranger in a pub ten minutes before last orders.

I must admit that it is satisfying having something such as a book or a glossy magazine even a tabloid newspaper in your hands and yet, if I’m in a pub and reading a book or a newspaper (unless it’s the racing page) I’m regarded as an oddity despite the fact that most others – even in company – are glued to the screens of their mobile phones!

All that aside, an online site that is constantly updated – and I mean by the minute and not by the day – is the way forward.

From a jazz point of view, apart from the specialist monthly print outlets, neither the broadcast media or the dailies (apart from the occasional weekly column) are going to tell you that so and so blew up a storm at a pub in East Lothian or that he had a gig coming up at a bar in Newcastle (on Tyne/under Lyme/Australia). They probably will tell you that he has a gig at Ronnie’s and that’s it.

Here, at BSH, we try to promote the local scene and it is gratifying when someone thanks you for bringing a gig to their attention (this, of course, can also backfire!) I'd also like to think that a localised blog such as BSH brings the local musician's profile to a wider/further afield audience. I know it works in reverse and encourages artists from further afield hoping to land gigs in the northeast which, I'm afraid, doesn't always work out despite our recommendations ...

Summing up, personally I still buy newspapers and mags knowing that, whilst I may not agree with what they say I recognise that I am dealing with professional journalists which not all, myself included, bloggers are.

By the same token, neither were the early jazz, blues, rock, pop musicians pros and yet they changed the course of music just as the pirate radio stations changed the course of broadcasting so It will be interesting to hear what emerges from the project at the Vortex.
Lance

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