Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, February 24, 2020

Vortex Conference

On 11 and 12 March, as part of an EU project with which we are involved at the Vortex, there will be a conference/showcase/workshop etc. at the club. In particular, there will be a public session about the state of the media as it now is. It is an opportunity to take into account the consolidation of the internet impact, as it complements and frequently is an essential replacement of the traditional media, such as BBC and newspapers.

The above, from Oliver Weindling of London’s Vortex, raises many important issues – not just about jazz but about life in general.

As a committed blogger – some say I should be committed – I’ve got an obvious interest. Without doubt the Internet has made information more readily available but, how reliable is that information? Years ago, the stock phrase used to be, “Don’t believe everything you read in the papers”. Today you can substitute online for in the papers.


In fact I remember reading, or hearing somebody say that information garnered on line should be regarded with the same pinch of salt as that elicited from a stranger in a pub ten minutes before last orders.

I must admit that it is satisfying having something such as a book or a glossy magazine even a tabloid newspaper in your hands and yet, if I’m in a pub and reading a book or a newspaper (unless it’s the racing page) I’m regarded as an oddity despite the fact that most others – even in company – are glued to the screens of their mobile phones!

All that aside, an online site that is constantly updated – and I mean by the minute and not by the day – is the way forward.

From a jazz point of view, apart from the specialist monthly print outlets, neither the broadcast media or the dailies (apart from the occasional weekly column) are going to tell you that so and so blew up a storm at a pub in East Lothian or that he had a gig coming up at a bar in Newcastle (on Tyne/under Lyme/Australia). They probably will tell you that he has a gig at Ronnie’s and that’s it.

Here, at BSH, we try to promote the local scene and it is gratifying when someone thanks you for bringing a gig to their attention (this, of course, can also backfire!) I'd also like to think that a localised blog such as BSH brings the local musician's profile to a wider/further afield audience. I know it works in reverse and encourages artists from further afield hoping to land gigs in the northeast which, I'm afraid, doesn't always work out despite our recommendations ...

Summing up, personally I still buy newspapers and mags knowing that, whilst I may not agree with what they say I recognise that I am dealing with professional journalists which not all, myself included, bloggers are.

By the same token, neither were the early jazz, blues, rock, pop musicians pros and yet they changed the course of music just as the pirate radio stations changed the course of broadcasting so It will be interesting to hear what emerges from the project at the Vortex.
Lance

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