Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, February 29, 2020

Great North Big Band Jazz Festival 2020: Musicians Unlimited & Festival Big Band (Day 1) - Feb 28

(Review by Russell)

Festival director Bill Watson introduced the opening evening of the seventeenth edition of the Great North Big Band Jazz Festival. The seventeenth?! Where has the time gone? The years have flown by! For most of that time the GNBBJF took place in Sunderland due to its links with the University of Sunderland although in recent times Park View Community Centre in Chester le Street has been home to one of the great events in the jazz calendar. 

Friday evening featured a concert performance with the competition element taking place across Saturday and Sunday. Mick Donnelly's renowned Musicians Unlimited launched into Doc Severinson's punchy arrangment of In the Mood. Forget saccharine Miller - with Sue Ferris (tenor sax), Mark Toomey (alto sax) and trumpeters Kevin Eland and GNBBJF director Bill Watson blowing hard things were well and truly under way.

Vocalists Paul Skerritt (Georgia on my Mind) and Jan Spencelayh (What a Diff'rence a day Makes) took centre stage, standing in the wings waiting for to be called from time to time. Veteran trombonist Neville Hartley deservedly won applause for a marvellous solo on Rollins' Doxy, the band (with Marcus Brown guest pianist!) won applause for its rollercoaster take on Gordon Goodwin's High Maintenance (Mick Shoulder nailing the bass part) and Ferris the flautist blew the roof off on the band's closing number - Tito Puente's Oye Como Va.

Earlier the Festival Big Band, directed by the multi-tasking Bill Watson, played a short set principally comprising NYJO charts BW had acquired down the years from Bill Ashton. Stellar names were responsible for writing, arranging or performing the numbers dusted off by Watson..Ronnie Pipe, Alan Downey, Phil Todd to name but three.

The band breezed through a set list which included Louis Bellson and Sammy Nestico charts and feature spots for key soloists, a particular highlight being a flugelhorn duel between Watson and young gun Tom Hill. To close an enjoyable set the Festival Band was joined by three guest soloists, first Mick Donnelly blowing killer tenor sax, Sue Ferris fearlessly following on flute (if any one could do it, Ferris could, and did!) and on alto sax, Mark Toomey. It had been a grand start to GNBBJF 2020. 
Russell      

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