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Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Thursday November 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Brand New Heavies - Riverside, Neptune House, Close, Newcastle NE1 3RQ. 7:00pm. £25.00.

Alice Grace-Jordan Alfonso Quintet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Son Yambu - Whorlton Village Hall, Barnard Castle DL12 8XD. Tel: 01833 627253. 7:30pm. £10.00., £5.00. child, £25.00. family.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Dan Johnson (tenor sax); Donna Hewitt (slto sax); Dave Archbold (keys). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 27, 2019

Vasilis Xenopoulos with the Paul Edis Trio @ The Black Bull, Blaydon - October 27

Vasilis Xenopoulos (tenor & soprano saxophones); Paul Edis (piano); Ken Marley (double bass); Russ Morgan (drums)  
(Review by Russell/Photos courtesy of Roly Veitch).

A third gig in as many days for the man from west London as Vasilis Xenopoulos concluded his north east mini tour with an afternoon concert at Blaydon Jazz Club. The Black Bull's south facing lounge attracts the sun and on this Sunday afternoon curtains were drawn to block out a blinding light. Our welcome visitor has a new album - Dexterity - to promote and chose to open the set with the CD's sole Xenopoulos composition. 

Dexterology in concert is best described as one part Dexter Gordon, one part Vasilis Xenopoulos, one part sackful of quotes. A quick-witted member of the audience could, perhaps, attempt to write down the titles but the torrent of oh-so-fleeting quotes all but overwhelms the listener - better to sit back and enjoy the brilliance, one could say, the dexterity of it all. It was quite a start.

A wonderful bluesy opening to Hanky Panky with Xenopoulos on tenor set up Ken Marley to deliver the first of several mature, extended solos - just as the Manchester based bassist had done in Darlington and Crook on Friday and Saturday respectively. Our bandleader is renowned for blowing some seriously good tenor and he also possesses a ready wit. In teasing Paul Edis about being allocated the task of delivering a convincing shout of Soy Califa, he suggested a 'take two' to which our pianist nailed it with Soy Califa, Hinny! And off they went - Xenopoulos on soprano conjuring a Moorish-ish feel, similarly drummer Russ Morgan with brushes, sticks and hands. Fantastic!

Society Red with its two-head structure appeals to Xenopoulos and Blaydon Jazz Club's regulars were treated to chorus after glorious chorus from an inspired musician in full flow. Likewise Edis, superb, two-handed piano playing (Blue Monk was in there), ideas tumbling. Later, one observer commented: Paul never plays the same thing twice. A compliment, indeed.

Tadd Dameron's ballad If You Could See Me Now took it down with yet more masterful playing. The interval, the consensus - wonderful. 

Charlie Chapiln's Smile (heard for the first time on this visit) opened the second set. Xenopoulos was clearly enjoying himself playing with panache and 'old school' swagger. Two tunes back to back focussing on Dexter Gordon's time in Sweden - Tivoli (Marley soloing) and Montmartre - maintained the highest of standards and Second Balcony Jump provided further evidence of the swash and buckle which marks out Xenopoulos as one of the finest saxophonists of his generation. 

A bolero ballad - I'm a Fool to Want You - enticed a couple to take to the Black Bull's imaginary dance floor. Magically, Edis quoted from The Godfather. It was as if Don Corleone had taken out a contract - on whom and for what reason will forever remain shrouded in mystery...

It was time to go but not before Xenopoulos called Scrapple from the Apple. How do you think this one went? It went whoosh! It had been a fabulous afternoon of jazz. As and when Vasilis Xenopoulos returns - day or night - it's a dead cert it'll be yet another memorable occasion.     

As a postscript Greek born Xenopoulos revealed that as a young man he performed at Copenhagen's Jazzhus Montmartre jazz club as a member of the European Youth Jazz Orchestra. Two great saxophonists, generations apart, stood on the same stage. How good is that?!    
Russell

1 comment :

Patti said...

An evocative and colourful extended review here, from Russell - but I must point out that Copenhagen, of the Tivoli Gardens and Monmartre Jazz Club fame, is in Denmark, not Sweden.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance