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Bebop Spoken There

Emma Rawicz: "I'm at a place where I'm really happy, but why stop there? Okay isn't really good enough." - (Jazzwise November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,645 (and counting) posts since we started blogging 13 years ago. 1264 of them this year alone and, so far, 91 this month (Oct. 27).

From This Moment On ...

October

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 31: Spooky Jazz @ The Shed, Wylam Library..
6:00-7:30pm. Free, collection for Parkinson's UK.
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 03: Washboard Resonators @ The Globe, Newcastle. 8:00pm.

Thu 04: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 04: Yussef Dayes Experience @ Wylam Brewery, Newcastle. 7:00pm.
Thu 04: Nishla Smith Quintet @ Bobik’s, Punch Bowl, Jesmond, Newcastle. 7:30pm.
Thu 04: Jeremy McMurray & the Pocket Orchestra @ Middlesbrough Town Hall. 7:30pm.
Thu 04: After Hours Jazz Jam with Jason Holcomb @ The Globe, Newcastle. 8:00pm.
Thu 04: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 04: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Friday, October 25, 2019

CD Review: When We Were Young – Kelley Suttenfield


Kelley Suttenfield (vocals); Tosh Sheridan (guitars, backng vocals, arrangement, production); Matthew Fries (piano, Fender Rhodes); Phil Palombi (bass); Eric Halvorson (drums, percussion); Derek Ratzenboeck (violin); Vincent Lionti (viola); David Calhoun (cello).
(Review by Ann Alex).

Yet another woman singer doing something out of the ordinary, bravely reimagining the songs of Neil Young as jazz. A regular on the New York jazz scene and around the East Coast, Suttenfield has performed at the Iridium and  Jazz at Kitano, at Ronnie Scott's in London and also toured Europe. This is her third album and her band includes Tosh Sheridan, guitarist and graduate of Berklee College of Music and the rhythm trio 718. I found the bass player of this outfit particularly good. The line-up is completed by the Memling Ensemble String Trio on 5 of the 11 tracks.

An exquisite rendering of Harvest Moon, airy cymbals and light drums give an ethereal sound which is definitely jazz, skilled bass, with improvising solos from piano and guitar. The Needle and the Damage Done, a powerful song about drug-taking, is a really interesting version, with strong bass, haunting guitar, clanking drum effects to set the scene and a rise in tension towards the end of the track. However I found the strings a bit too romantic-sounding for the subject in hand.

The Losing End is a real swinger; Love Is A Rose, which concerns the thorny parts of love, is done appropriately with funky guitar; Down By The River is a countryish version of the standard folk song about drowning your beloved; and Barefoot Floors, which was never actually released by Young, is a charming song written for a child, with suitably relaxing, laid back guitar. The rest of the tracks are: Heart of Gold; Only Love Can Break Your Heart; Flying on the Ground; Fool for Your Love; Old Man.  

The CD is very enjoyable and successfully transfers Young's music from rock to jazz, which made me wonder if our standard genre divisions are really of any use. If the songs had been firstly treated as jazz and we'd never heard them sung by Young, would we have liked the music any less?  I love Young's voice, which has a very pleasing haunting tone with a certain tense quality which adds meaning to the lyrics, and this is what I missed from the CD. But comparisons are difficult and I enjoyed the CD for its own merits.

The album is currently available in stores and online.
See www.kelleysuttenfield.com and also Facebook, Instagram and Twitter, using the artist’s name.
Ann Alex    

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