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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Tuesday, October 08, 2019

CD Review: John Yao's Triceratops - How We Do

John Yao (trombone); Billy Drewes (soprano/alto saxes); Jon Irabagon (tenor sax); Peter Brendler (bass); Mark Ferber (drums).
(Review by Lance)

Quite an intriguing concept - 3 horns, bass and drums no chordal support - also a challenging one for trombonist, composer, arranger Yao. Although named after a three-horned dinosaur this is certainly anything but prehistoric there's a crisp sound of today about it. The harmonies are cleverly handled, the interplay between the frontliners is impressive and no one trips anyone up.

At times it verges on the free but never enough to hurt. In his book on early jazz, Shining Trumpets, Rudi Blesh was big on polyphony well there's polyphony-a-plenty here although not perhaps what Blesh had in mind! If anything, much of it shows shades of Mingus.

Drewes excels on both alto and soprano, his command of the latter instrument comes across with an almost clarinet-like dexterity. On alto, for some unexplained reason, he uses a tenor mouthpiece which produces a fluffy, airy sound which may be the reason. Strange. 

Irabagon is a player whose name appears frequently in the American jazz mags and it's good to actually hear him and in such exciting circumstances.

Yao gets a full sound on trombone and knows his way around the slide when soloing. Pensive and reflective or hard-swinging as the occasion demands the same qualities are reflected in his compositions and arrangements.

Being sans piano or guitar the burden that falls on Brendler's shoulders isn't light but he doesn't falter and nor does drummer Ferber who has several moments in the spotlight.

The only non-Yao track is Irabagon's Tea For T, a joyful romp that has the horns playing a sort of fast fugue that doubles the already breakneck tempo when the coda sign is in sight. I don't know what Bach would have made of it but I suspect he'd have enjoyed it - I certainly did.
Lance.
Available Oct 18 see https://www.johnyao.com/

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