Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, October 06, 2019

CD Review: Ray Blue - Work


Ray Blue (tenor sax); Sharp Radway (piano); Jeff Barone (guitar) Essiet Okone Essiet (bass); Steve Johns (drums) + Kirk Lightsey or Benito Gonzalez (piano); Ron Wilkins (trombone); Belden Bullock (bass); Neil Clark (percussion).
(Review by James Henry)

Once in a while, from out of nowhere, comes a CD that is just about perfect and restores one’s faith in jazz, the universe and just about everything else. Ray Blue’s Work is just such a gem. This is a carefully curated mix of the old and the new, played in a swinging old school style, but with enough freshness and surprise to keep us on our toes, and enough depth to reward a careful listening.

Ray Blue is a New York based saxophonist with an impressive CV as a sideman, and a few solo credits. He has worked extensively in the USA, mainland Europe and China, but sadly doesn’t appear to have played in the UK. His tenor playing is sweet and mellow and at its very best in the lower register.


The title piece Work is one of Blue’s own compositions, and is a joyful number - its rhythmic style lies somewhere between calypso and cha-cha, and it is helped along by Neil Clark’s percussion. Lift Every Voice and Sing is given an up beat rendition but retains an appropriate hymn-like, gospel quality. There are ballads too: My Friend and I Took a Walk, another Blue composition, has an ethereal quality, and Benito Gonzalez’ gentle piano playing perfectly matches Blue’s sweet tenor. Gonzalez and Blue continue their ballad partnership in That’s All, with sensitive support from Essiet Okone Essiet on bass and Steve Johns on drums. Nat Adderley’s Sweet Emma is uplifting, with a fine trombone solo from Ron Wilkins, and tight ensemble work.  

There are surprises too: Everything Happens to Me escapes from life as a ballad and enjoys a mid-tempo quartet outing. Don’t Know Why will tease you until you remember hearing Norah Jones singing it everywhere a few years back. Our Day Will Come is stated confidently and benefits from a driving up-tempo treatment.

Work is like one’s work should be- varied and fulfilling, purposeful and enjoyable, and more than just a job. Nice work.
James H

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