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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17346 (and counting) posts since we started blogging 16 years ago. 630 of them this year alone and, so far, 35 this month (Sept. 11).

From This Moment On ...

September

Fri 13: Jeff Barnhart & Neville Dickie @ The Lit & Phil, Newcastle. 1:00pm. Two pianos, two pianists! SOLD OUT!
Fri 13: Noel Dennis Quartet @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Dilutey Juice @ Old Coal Yard, Byker, Newcastle. 7:30pm. £11.00. adv..
Fri 13: Ray Stubbs R & B All-stars @ The Forum, Darlington. 7:30pm. Classic blues.

Sat 14: Jeff Barnhart’s Silent Film Fest @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 14: Customs House Big Band w. Ruth Lambert @ St Paul’s Centre, St Paul’s Gardens, Spennymoor DL16 7LR. 7:00pm (6:45pm doors). Tickets £10.00. from the venue or tel: 01388 813404. A ‘BYOB’ event.
Sat 14: Emma Wilson @ Claypath Deli, Durham. 7:00pm. £12.00. Acoustic blues.
Sat 14: Rat Pack - Swingin’ at the Sands @ Billingham Forum. 7:30pm.

Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Jude Murphy, Steve Chambers & Sid White @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 15: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 15: Panharmonia @ The Globe, Newcastle. 8:00pm.

Mon 16: Swing Manouche @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 16: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: John Hallam with the James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert!

Tue 17: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Delaval. 12:30pm. £13.00. Tel: 0191 237 3697. ‘Indian Summer Afternoon Tea’.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels (guitar); Paul Grainger (double bass); Abbie Finn (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 18: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session.

Thu 19: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 19: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. THC with guests Kevin Eland, Dan Johnson, Jeremy McMurray, Ron Smith.

Tuesday, October 08, 2019

Newcastle Festival of Jazz and Improvised Music: Charkie Parlour + Alembic @ the Lit & Phil – Oct. 4

(Review by Dave Clarke).

In introducing the second concert of this year’s festival, producer Wes Stevenson explained that his goal was to help to raise the profile of Newcastle’s existing jazz venues and attract new audiences to them. He thanked Paul Edis and the Lit and Phil for helping to make today’s show a sell-out.

Charkie Parlour: John Garner (violin); Mark Williams (guitar); John Pope (double bass/bass guitar); Russ Morgan (drums).

Charkie Parlour, was formed in 2017 as a vessel for exploring new music but having only played one gig in the North East at The Globe (and one in Edinburgh) they might as well be regarded as brand new as far as public reputation is concerned. However, performance-wise one would think they’d been regularly gigging together for years. We are of course talking about three of the region’s finest jazz musicians in Mark Williams, Russ Morgan and John Pope. I say three because, until today, violinist and bandleader John Garner was an unknown quantity to me. After today, make that four.  In our region the violin in jazz has, up until now, been confined to the earlier styles of the music though that’s not the case elsewhere in the world.

Garner is also an impressive composer.

Although the band’s set began with a very brief passage of free improvisation followed by a tune written by John Pope all of the other music played was by the band’s leader.  For their gig at The Globe they told audiences to expect to hear influences from South Indian Carnatic music, from South Africa, from classical music and from British folk music. I’m not sure that I picked out all of those at the Lit and Phil but the band was certainly rooted in the jazz idiom at the relatively conventional end of contemporary jazz, and none the worse for that. There were also two definite examples of aleatoric composition.

Aleatoric  music is music  left to chance, composed partly or even wholly using the throw of a dice.  Garner had reservations about these two aleatoric pieces which were taken from a suite he wrote inspired by Kahlil Gibran’s  The Prophet, but  for me their Middle Eastern flavour and the arrangement - with the violin out front and the powerful unison rhythm from the band - made them close to being my favourite part of the set.

I’m afraid I can’t remember the names of all of the compositions. There was a definite sense of humour and optimism at play though in Even When It’s Raining the Sun Is Always Shining and in the closing blues, The Bump which was inspired by pregnancy.

All in all I really loved this band and its music and very much hope to see more of them. My one reservation - and it’s shared with a number of people I’ve spoken to - is I don’t much like the name Charkie Parlour. People have told me it makes them think of a tribute act and that clearly is far from the truth. Their music is very much their own and they’re all very much their own men.
-----  
Earlier, the afternoon had opened with a set by the newly formed duo Alembic.
Alembic: Melanie Fox (vocals); Paul Taylor (piano).

Paul Taylor has developed a considerable reputation as a solo pianist in the North East and has recently extended his reputation further afield with the help of a Northern Line subsidy. Melanie Fox has been working with Paul for some months now and thanks to being selected for participation in Sage Gateshead’s Summer Studios scheme the duo have been able to work intensively on the material revealed to us today at the Lit and Phil.

Running through their programme were the joint themes of the air and the sea taken from poems and prose by two writers from very different eras: Shakespeare and the twentieth century Scot George MacKay Brown.  They began with lines by Caliban (air) in The Tempest and by Ariel (sea) in the same play, first spoken by Mel then, with Paul’s accompaniment, sung.

The second half of Alembic’s set revolved around MacKay Brown’s The Sea, and Drops of Light, a poem and short story on a theme of the air. Melanie’s passion for the writer was very apparent and Paul’s music fitted well. Something totally new for Tyneside. Congratulations to them both.
Dave C

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