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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Wednesday, October 16, 2019

Tusk Festival: Magma @ Sage Gateshead – October 13

(Review by Steve T/Photos courtesy of Ken Drew)

I was on the verge of embarrassment for the second time in a fortnight over low turnout for the two most stupendously stunning gigs in the region so far this year, when the hordes gradually began to stream in.

I say hordes, but somebody confirmed ticket sales of around three hundred, which isn't bad for such complex, difficult, challenging and genre resistant music, sung by French singers in a made-up inter-galactic language.

In their seventies heyday Magma were lumped in with the progressive rock groups as a default position for anyone breaking musical boundaries. All of the progressive groups had a high jazz content, though it was generally jockeying with classical music, folk music and just about everything else. Magma stand with Soft Machine, Henry Cow, Jade Warrior and Red era King Crimson as the most jazz oriented of the lot, often classified with jazz-rockers like genre leaders the Mahavishnu Orchestra, as in Sage Gateshead's blurb for this gig, which also cited Coltrane, Glass and Funkadelic, though I'm not splitting hairs pointing out alter-ego band Parliament are much nearer the mark. In his book Listening to the Future, Bill Martin claims equal parts Coltrane and Carl Orff.  

They're a band who are seriously difficult to pigeon hole, but it seems to me Zappa would be the nearest touchstone. A rock band with a high jazz content and classical music, including opera, though - being from continental Europe - it's prominent and taken seriously, unlike Zappa's occasional parody.
The chap sitting behind - who must have had inside info - was also correct when he said that they'd do an eighty five minute set of just two pieces. They're not a band for people with weak bladders and their devoted fans - and I saw at least one singing in Kobaian - wouldn't dare miss a moment.

I found the opening piece unconvincing, confirmed by new fan Mrs T, before the two singers - one man and one woman - withdrew to the back of the stage as the tempo kicked in behind a ferocious guitar solo. From then on it was like climbing a mountain; just as you thought you'd reached the summit, another level would be revealed, successive layers of soundlike waves on a beach at high tide.

The second piece featured the two singers prominently at the back of the stage, lots of intricate drumming and interplay between subtle guitar and vibes before the two in unison.
Magma were the vision of drummer and sole permanent member Christian Vander, who then sang an extended aria, backed by lightly riffing guitar and keyboard before bass and vibes came back in leading to some thunderous drumming from the leader. The two singers resumed their places centre stage and took it up to a resounding finale which really didn't leave anywhere else for them to go.  

Over sixty musicians have been through the ranks of Magma throughout its existence and tonight featured Vander, the two singers (one his wife Stella Vander), a vibes player and keyboardist, guitarist and bass player whose parents probably weren't born when Magma set out on their fifty year (and counting) mission to boldly go where no band had gone before.
Steve T

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