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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Wednesday, October 16, 2019

Tusk Festival: Magma @ Sage Gateshead – October 13

(Review by Steve T/Photos courtesy of Ken Drew)

I was on the verge of embarrassment for the second time in a fortnight over low turnout for the two most stupendously stunning gigs in the region so far this year, when the hordes gradually began to stream in.

I say hordes, but somebody confirmed ticket sales of around three hundred, which isn't bad for such complex, difficult, challenging and genre resistant music, sung by French singers in a made-up inter-galactic language.

In their seventies heyday Magma were lumped in with the progressive rock groups as a default position for anyone breaking musical boundaries. All of the progressive groups had a high jazz content, though it was generally jockeying with classical music, folk music and just about everything else. Magma stand with Soft Machine, Henry Cow, Jade Warrior and Red era King Crimson as the most jazz oriented of the lot, often classified with jazz-rockers like genre leaders the Mahavishnu Orchestra, as in Sage Gateshead's blurb for this gig, which also cited Coltrane, Glass and Funkadelic, though I'm not splitting hairs pointing out alter-ego band Parliament are much nearer the mark. In his book Listening to the Future, Bill Martin claims equal parts Coltrane and Carl Orff.  

They're a band who are seriously difficult to pigeon hole, but it seems to me Zappa would be the nearest touchstone. A rock band with a high jazz content and classical music, including opera, though - being from continental Europe - it's prominent and taken seriously, unlike Zappa's occasional parody.
The chap sitting behind - who must have had inside info - was also correct when he said that they'd do an eighty five minute set of just two pieces. They're not a band for people with weak bladders and their devoted fans - and I saw at least one singing in Kobaian - wouldn't dare miss a moment.

I found the opening piece unconvincing, confirmed by new fan Mrs T, before the two singers - one man and one woman - withdrew to the back of the stage as the tempo kicked in behind a ferocious guitar solo. From then on it was like climbing a mountain; just as you thought you'd reached the summit, another level would be revealed, successive layers of soundlike waves on a beach at high tide.

The second piece featured the two singers prominently at the back of the stage, lots of intricate drumming and interplay between subtle guitar and vibes before the two in unison.
Magma were the vision of drummer and sole permanent member Christian Vander, who then sang an extended aria, backed by lightly riffing guitar and keyboard before bass and vibes came back in leading to some thunderous drumming from the leader. The two singers resumed their places centre stage and took it up to a resounding finale which really didn't leave anywhere else for them to go.  

Over sixty musicians have been through the ranks of Magma throughout its existence and tonight featured Vander, the two singers (one his wife Stella Vander), a vibes player and keyboardist, guitarist and bass player whose parents probably weren't born when Magma set out on their fifty year (and counting) mission to boldly go where no band had gone before.
Steve T

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