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Bebop Spoken There

Fergus McCreadie: "I think a lot of the best music is very political, and there are so many things going on in the world that I'm constantly angry at. But for me making music is not the space for that" (Jazzwise July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14336 (and counting) posts since we started blogging 14 years ago. 555 of them this year alone and, so far, 55 this month (June 19).

From This Moment On ...

June

Sat 25-Sun 26: Harambee Pasadia Festival @ The Hub, Shaw Bank, Barnard Castle DL12 8TD. www.harambeepasadiafestival.com. Line-up inc. Kevin Haynes Groupo Elegua, Hannabiell & the Midnight Blue Collective, Knats. Tickets from £20.00. adult, £10.00. teen (12-17).
Sat 25: Wild Women of Wylam @ Daniel Farm, Wylam. 7:00pm. £20.00. (inc. food).
Sat 25: Julija Jacenaite @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Outdoor (indoor if inclement weather).
Sun 26: Mississippi Dreamboats @ Springwell Village Community Venue, Gateshead. 2:30pm. A ‘1940s’ Weekend’ event (from 1:00pm).
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 26: Los Chichanos @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Sunday, October 13, 2019

All Because Of Love: Seyed Ali Jaberi and the Hamdel Ensemble @ Sage Gateshead – September 19

(Review by Melanie Grundy/Photo supplied)

This fascinating project takes its inspiration from the works of Sufi poet Rumi, a link that is explained in an introductory talk by the ensemble’s producer before the performance. Rumi was a Persian poet, Islamic scholar and Sufi mystic, who spent most of his life in Konya in Central Turkey. Rumi was teaching at the madrassa here when he met Shams-e-Tabrizi and his life as a poet and ascetic truly began; after four years of Shams’ teaching and companionship, he suddenly disappeared. The rest of Rumi’s life was spent searching for Shams and mourning his loss in lyrical verse. It is some of these verses that become the inspiration for the compositions the ensemble presents.


The title All because of Love alludes to the truth and unity of being to which Sufi mystics aspire. Gnosticism is the idea that the universe was created from Divine Light and that there is a spark of that Divine Light trapped within each of us as ego. The aim of the life of a Sufi is to release that spark from the gross matter of the body to reconnect with the Unity of Being in the form of this Divine Light. The Sufis find their way towards enlightenment, through the process of repetition or Zeksh as exemplified in the Sema or whirling dance of the Dervishes. This repetition is intended to constantly remind oneself of the path one has chosen.

Before the performance begins we are asked to turn off our phones and to refrain from taking photographs. We are advised that the relationship between musicians and audience should be to give and gain energy and focus as a two way process. The music is intended as a meditation for both performers and listeners, practiced to focus the senses and help concentration.

The instrumentation of Seyed Ali Jaberi’s Hamdel Ensemble involves double bass, oud, up to four tanbours, daf (Persian frame drum), bells, chimes, udu, two female and up to four male voices. Whilst the double bass is by no means a traditional Persian instrument, it is used in this setting to give either a drone like quality, as with the use of the tanpura in Indian Classical music, or as a source of melodic rhythm more typical of its use in Western music. The tanbours are played up to four at a time, with the same melody at the same pitch creating a layered, dense sonic texture. Watching the players is fascinating, the downward stroke hits the strings rhythmically, whilst on the upward stroke, which creates a more open sound, the players' right hands make beautiful fan-like shapes.

The use of the Daf, the traditional Persian frame drum, creates the rhythmic anchor of all the pieces, but this instrument has a rich sonority owing to the presence of chains around the edge of the frame. The drum can be struck with the hand or moved with a flick of the wrist creating a completely different sound. During one piece, Mohamad Jaberi gives us an absolutely virtuosic display of his talents in a long solo passage for Daf, which then rejoins the other instruments via a glorious improvised Daf/tambour dialogue between Mohamad and Seyed. A crescendo of the Daf rounds off most of the pieces with intense drama.

The vocals throughout the performance are haunting and hypnotic; the fact that most of the audience cannot understand the language doesn’t matter, the intonation clearly communicates the meaning and emotional depth with beautiful layering of male and female voices. Seyed Ali Jaberi’s compositions combine elements of traditional Persian music, in terms of scales and modes, but these are used with a contemporary approach, as exemplified by inclusion of non-traditional instruments such as the double bass and flat-backed oud. The polyphony of the layered voices is also an element, which would not be found in traditional Persian compositions.

At points through the performance, the audience is invited to join the vocalists, with Arash Fayyazi leading the initially tentative participants through their lines, as confidence and volume steadily grows.  A whirling dervish dancer joins the performance for two of the pieces, asking for God’s blessing before she takes her place centre-stage and begins spinning. She wears a full-skirted robe with a weighted hem; the movement of the fabric alone is fascinating before you even begin to consider how she sustains momentum without becoming unbalanced. When she finally stops turning at the end of both songs there is not even a flicker of unsteadiness.

Some of the pieces open with lines from Rumi spoken by Kimia Jaberi; “you are my ailment and antidote”, “madness like rain washes wisdom down the drain” are lines that anchor themselves in memory. There is a stately, almost processional grandeur in some of the pieces, anchored in the solid, steady rhythm of the Daf. Other pieces are utterly joyful and uplifting and the desire to jump up and spin like the dervish dancer is almost overwhelming. At the end of the performance there is an overwhelming sense of satisfaction amongst the audience and souls are smiling as we leave the hall.
Mel G
Seyed Ali Jaberi (composer/tanbour); Kimia Jaberi (vocals/tanbour); Mohammad Jaberi (daf/vocals); Leili Mohseni (vocals); Arash Fayyazi (oud/tambour); Masoud Ghasemi (tambour/percussion); Steve Truman (double bass); Serap Yilmaz (dancer)

1 comment :

Unknown said...

Thanks Melanie.. It was a thunderously good night ... Transported me outta Gateshead .. and invoked a deeply hypnotic and trancey state ..and the whirling dancer was captivating and spell binding ..

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