Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, October 16, 2019

Pete Tanton's Riviera Quartet @ Gala Theatre, Durham - October 11

Pete Tanton (trumpet, flugelhorn); Mark Williams (guitar); Andy Champion (bass); Russ Morgan (drums).

(Review by Brian Ebbatson/Photos courtesy of Malcolm Sinclair).

It’s not often that a band arrives with a mission statement, but that is the case with the Riviera Quartet, who arrived to play the Gala Studio Friday lunchtime set, but found themselves transferred to the main theatre with its spacious stage, sophisticated lighting and ample room for the 100+ audience. And they spread the magic of their music in accordance with their mission. Which - in case you missed it - is “to bring the combined energy of bossa nova, blues and bebop to new listeners and to build a broad audience. Imagine driving along the highway from Nice to Monaco, or even Los Angeles to Monterey, in a convertible – this is the music you would listen to.”

Pete Tanton opened the set with Chega de Saudade (aka No More Blues) in direct tribute both to “our spiritual guide”, composer Antonio Carlos Jobim, and “our musical inspiration”, Dizzy Gillespie and Lalo Schifrin’s 1962 album Dizzy on the Riviera. Pete’s opening trumpet gave a taste of what was to follow, clear fresh tones, melodic improvisation, a tight, driving rhythm section and inventive guitar work. A suitable scene-setter for a series of originals from the pens of Tanton and Williams, none of which failed to meet the mission statement criteria and all of which sat well with the Jobim/Gillespie/Schifrin classic.

Barbados – a track from their CDfollowed. A catchy melody with a Caribbean lilt, giving space not just for Pete’s trumpet but for extended guitar work by Mark. Turf War (also on the CD) followed, a Horace Silverish opening theme, countered by Mark’s smooth chords, leading to relaxed flugel and guitar solos.

Pete switched to muted trumpet – more cool Miles than Dizzy – for the third CD track, Mark’s There They’re There. With Russ weaving his patterns on brushes and Andy just doing what he does best, Mark again strode out on guitar and Andy showed he too can improvise melody. Drums, bass, guitar and muted trumpet exchange eights, before Mark and Pete roll the music to an atmospheric close.

Time for Pete to reveal another aspect of the quartet’s playing – his voice - in three numbers. First To Heaven Overnight, a sort of celebratory love song, lyrics and composition both by Tanton, to be released as a single next year. Very Jobimesque lyrics – "To heaven overnight, please take me there ….. come with me tonight .. carry us away on its wings…." . Then One Kiss, a single now available on Spotify and iTunes, a distinctly Brazilian feel, particularly the theme of loss and desertion (shades of Chega de Saudade – “Não há beleza é só tristeza e a melancholia – look it up!). “I kissed her lips just yesterday, but now she kisses someone else today”. Another – happier – love affair is told in I Fall in Love, again a Latin rhythm featuring Mark on guitar. “I fall in love every time you are near me. I fall in love every time you whisper to me ….)
Before the final number Pete paid tribute to Mike Furlonger, a close friend and jazz enthusiast who passed away last year after a diagnosis with Motor Neurone Disease and invited the audience to express their appreciation in a collection for the Motor Neurone Disease Association (MDNA).  Whether Mark’s Booze Blues was an appropriate title is open, but the boppish number certainly gave the band the opportunity to stretch out with flowing solos – all enthusiastically received – by Mark, Andy and Russ (the loudest applause of the set) and Pete, a great close to a great gig.

A great reception too, many in the audience wanting them back, saying it was the best concert yet in the series, a complement repaid by Pete’s “What a lovely crowd to play for. It was a real pleasure to play here.” This was a polished performance, each player standing out. The musicians know each other inside out and it shows. OK, the A1(M) through Durham is not the highway to Monterey or the autoroute du midi, but the music was what it says on the tin - fresh, melodious and different – and you want to hear it again. Mission accomplished.
Brian E
PS Over £200 was raised for MNDA. If you want to add your support, follow this link 

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