Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18336 (and counting) posts since we started blogging 18 years ago. 190 of them this year alone and, so far this month (Feb. 28), 90

From This Moment On ...

March

Sat 07: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 12 noon. Open Section (all day, closing concert performance at 7:00pm). £15.00. (£20.00 weekend ticket). Day 2/3.
Sat 07: Tenement Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Antônio Carlos Jobim: Meditation & How Insensitive. Enrol at: learning@jazz.coop.
Sat 07: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free. Sat 07: Hot Club du Nord @ St Mary’s Parish Hall, Barnard Castle. 7:00pm. £20.00., £8.00 under 16. Charity fundraiser.
Sat 07: Taupe + Marigolds + Mother Man @ Star & Shadow Cinema, Newcastle. 7:00pm.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 9:30am. School Section & Youth Section (all day). £10.00. (£20.00 weekend ticket). Day 3/3.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: TRIO-SKW @ Queen’s Hall, Hexham. 3:00pm. Josh Savage (drums); Lucas Kelly (organ); Tim ‘Bim’ Williams (guitar).
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Trish Clowes’ My Iris @ The Globe, Newcastle. 8:00pm.
Sun 08: Durham University Big Band & Foot Notes @ Elvet Methodist Church, Durham. 7:30pm. £10.00., £8.00., £6.00. Big band & a cappella ensemble.

Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, October 05, 2019

Newcastle Festival of Jazz and Improvised Music: Yazz Ahmed’s Electric Dreams @ Gosforth Civic Theatre - October 4

Yazz Ahmed (trumpet/flugelhorn); Jason Singh (voice/electronics); Samuel Hällkvist (guitar); Rod Youngs (drums)
(Review by Steve H)

Gosforth Civic Theatre was virtually full for the visit of the British Bahraini artist’s band Electric Dreams. As Ahmed explained, the band produces spontaneous improvisations so it was going to be interesting to see what sort of journey we would be taken on.

It got off to a very rocky start - more Pink Floyd than Blue Mitchell - as guitar and drums tended to dominate on the opening two numbers. The third piece seemed to change tack completely and almost had a western (in the John Wayne sense) type feel to it. 

At this point I was not convinced. Luckily the final piece of the first set really did the business. Starting off with some Indian style scat from Singh (I am sure there is a proper name for this but sadly I don’t know what it is) the piece grew and grew and morphed into almost Phillip Glass/Steve Reich minimalist  flavoured work. So, at the halfway point, I was now looking forward with eager anticipation to the second set.

I was not disappointed. The music, somehow, seemed far more coherent than in the first set. Hällkvist on guitar and Youngs on drums interacted brilliantly. Ahmed, who seemed rather subdued in the first set, was far more prominent in the second. An atmospheric electronic jazz soundscape was created and I was really able to lose myself in the music. 

So, a very positive end to the evening after a somewhat laboured start. But I guess that is the joy of improvised music neither the band nor the audience know how things are going to turn out but the longer everyone stays with it the better it seems to get.  
Steve H

2 comments :

Steve T said...

The singing/ scatting/ rapping style is called conical, though I never seem to be able to find the correct spelling. Anyone?

Chris Kilsby said...

I'm tempted to say Steve T's proposed spelling is a bit "comical", but that would be cheeky :)

It's most often written "konnakol" but as it's a Tamil word by origin there is no "official" version, and you'll see it as konokol and other variants as well.

However it's written, the konnakol was one of the highlights. I also enjoyed Singh's trademark bird calls towards the end, followed by some "bear growling" (?). Never heard those at a jazz gig before!

I'd liked to have heard a bit more from Yazz overall, but as Steve H says, this was an exciting session, with a welcome whiff of the unpredictable and risky. There was some great playing and it mostly worked for me.

Chris K

Blog Archive