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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Wednesday, October 02, 2019

CD Review: Troy Roberts - Days Like These

Troy Roberts (tenor sax); Joey DeFrancesco (organ x 3); Emmet Cohen (organ x 5); Jeff 'Tain' Watts (drums).
(Review by Lance).

The Aussie tenorman's 11th album, the 4th to grace these pages, and it's another belter! How could it not be with these guys? Roberts is undoubtedly suited to the organ trio set-up and B3 superman DeFrancesco spurs him on with that big fat sound he conjures from the beast and, on the tracks where Cohen is at the keyboards, Emmet does likewise.

On the up numbers such as Sly Old Dog Roberts goes for the jugular taking the tenor to the limit - soaring off the edge of the world - can a saxophone get rabies? Fortunately, just before the man in the white coat arrives, sly old dog that he is, Roberts takes it down to a mellow ending.

By contrast, Jack the Sipper is a cool bossa.

The last time I heard Little Man You've Had a Busy Day I think it was sung by Al Bowlly although it seems as though Clapton recorded it in 2016. It's a lovely tune displaying Robert's sensuous tone and he does it justice.

The Wizard of Ozroop, probably a reference to a town in the Outback, is another one that gives Roberts' fingers and embouchure a workout. The section where he and Watts go for broke had me applauding as if I was there! When Roberts steps down, Watts continues his onslaught behind Cohen before all three indulge in some fours.

The opener, My Girl is Just Enough Woman For Me, often featured in a Stanley Turrentine setlist and Roberts, DeFrancesco and Tain take it along at a nice easy pace. The tenorman making his virtuosity known early on.

Kern's Why Was I Born? is balladic perfection from both Roberts and Joey D with Watts, for once, suitably restrained (don't get me wrong, JTW is a man for all seasons) and I don't visualise the Kern estate taking action as they once did against Maynard Ferguson for his rendition of All the Things You Ain't!

Trams is smart - literally. The bassline like the title is played backwards! Troy is seemingly fond of compositional games. It swings.

The Waltz of Parting Days is suitably melancholic although if it is in waltz time it's not immediately apparent. It's still very listenable as is the whole album.

Of the 8 tracks Roberts composed 6. Not many tenor players around who can retain the lyricism of yesterday whilst heading for tomorrow - Troy Roberts is one such player.
Lance
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