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Bebop Spoken There

Sean Jones: "There were like three people in church who couldn't sing or play an instrument. We thought there was something wrong with them." (DownBeat July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14362 (and counting) posts since we started blogging 14 years ago. 581 of them this year alone and, so far, 81 this month (June 26).

From This Moment On ...

June

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Sun 03 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 03: Ruth Lambert & Martin Craggs. @ The Exchange, North Shields. 2:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Abbie Finn Trio @ The Exchange, North Shields. 3:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Wild Women of Wylam @ The Exchange, North Shields. 4:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: 4B @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jazz Jam @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm.

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: Four @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Wednesday, October 02, 2019

CD Review: Troy Roberts - Days Like These

Troy Roberts (tenor sax); Joey DeFrancesco (organ x 3); Emmet Cohen (organ x 5); Jeff 'Tain' Watts (drums).
(Review by Lance).

The Aussie tenorman's 11th album, the 4th to grace these pages, and it's another belter! How could it not be with these guys? Roberts is undoubtedly suited to the organ trio set-up and B3 superman DeFrancesco spurs him on with that big fat sound he conjures from the beast and, on the tracks where Cohen is at the keyboards, Emmet does likewise.

On the up numbers such as Sly Old Dog Roberts goes for the jugular taking the tenor to the limit - soaring off the edge of the world - can a saxophone get rabies? Fortunately, just before the man in the white coat arrives, sly old dog that he is, Roberts takes it down to a mellow ending.

By contrast, Jack the Sipper is a cool bossa.

The last time I heard Little Man You've Had a Busy Day I think it was sung by Al Bowlly although it seems as though Clapton recorded it in 2016. It's a lovely tune displaying Robert's sensuous tone and he does it justice.

The Wizard of Ozroop, probably a reference to a town in the Outback, is another one that gives Roberts' fingers and embouchure a workout. The section where he and Watts go for broke had me applauding as if I was there! When Roberts steps down, Watts continues his onslaught behind Cohen before all three indulge in some fours.

The opener, My Girl is Just Enough Woman For Me, often featured in a Stanley Turrentine setlist and Roberts, DeFrancesco and Tain take it along at a nice easy pace. The tenorman making his virtuosity known early on.

Kern's Why Was I Born? is balladic perfection from both Roberts and Joey D with Watts, for once, suitably restrained (don't get me wrong, JTW is a man for all seasons) and I don't visualise the Kern estate taking action as they once did against Maynard Ferguson for his rendition of All the Things You Ain't!

Trams is smart - literally. The bassline like the title is played backwards! Troy is seemingly fond of compositional games. It swings.

The Waltz of Parting Days is suitably melancholic although if it is in waltz time it's not immediately apparent. It's still very listenable as is the whole album.

Of the 8 tracks Roberts composed 6. Not many tenor players around who can retain the lyricism of yesterday whilst heading for tomorrow - Troy Roberts is one such player.
Lance
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