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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Monday, October 21, 2019

The Darlington Big Band @ Dorman's Jazz Club Middlesbrough - October 17

(Review by Ron H)

18 top class musicians with a wealth of experience and led by tenor saxophonist Richie Emmerson played a wonderful selection of big band jazz standards to a packed and attentive audience making for a highly successful night.

A fine intro by Ted Pearce on keys and Alan Smith on bass  was made to a swinging Sammy Nestico arrangement of  Straight Ahead from the Basie album of the same name.

This was followed by Fun Time  from the same album setting the standard for the night.

After Alberto Dominguez's Frenesi, the beautiful ballad Laura, arranged by Lennie Niehaus for the Stan Kenton band, included a lovely trumpet solo by Bill Watson with all four muted trumpets then joining in.

So It May Secretly Begin, a Pat Metheny number arranged  by Bob Curnow, naturally included a very fine guitar solo from Eddie Maughan. A swinging Take the A Train arranged by Mark Taylor followed.

The theme from Taxi Driver featured  Ray Dales on alto sax whilst there were  nice trumpet and tenor solos from Kevin Eland and Richie Emmerson in Speak Low - an arrangement of this Kurt Weill/Ogden Nash tune by Bill Holman.

The first set was finished in fine style with Sammy Nestico's up tempo arrangement of Pressure Cooker featuring John Brett on tenor.

A great arrangement by John Clayton of Max, a very complex number by Jeff Hamilton, was well played with solos from Richie Emmerson tenor, Alan Thompson alto and Kevin Eland trumpet.

An up tempo version of Tenderly with fine trumpet solo from Bill Watson and then in complete contrast the beautiful ballad When I Fall In Love arranged by Alan Baylock played by the whole band without solos.

For Stan Kenton fans the band played Eager Beaver featuring John Brett on tenor.

A particular favourite of mine played next  was Benny Golson's I Remember Clifford featuring Bill Watson on flugel.

A fine Bill Holman big band arrangement of the jazz standard After You've Gone with a nice solo from Neville Hartley on trombone.

A beautiful number What Are You Doing The Rest Of Your Life by Legrand and Berryman featured Richie on tenor.

After Slaughter On 10th Ave. was played as a final number, an encore was demanded and this was a beautiful version of Cole Porter's Love For Sale again arranged by Nestico.

It was most impressive to see and hear this band play these sophisticated arrangements and I must apologise for not giving credit to more of the band members as all were capable of fine solo work.

I think that the full capacity and enthusiastic audience brought out the best in the band along with Richie both as a leader soloist and in between numbers an entertaining raconteur.

With many thanks to Dormans Club for their help and support in running the night.
Ron H.

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