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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event. SOLD OUT!

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sat 28: Revolutionaires @ Brandling Villa, South Gosforth, Newcastle. 9:00pm. Rhythm & blues band.

Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Revolutionaires @ Greens, Low Row, Sunderland. 6:00pm. Rhythm & blues band with a horn section (inc. Pete Tanton).
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Wednesday, October 02, 2019

CD Review: Troy Roberts - Days Like These

Troy Roberts (tenor sax); Joey DeFrancesco (organ x 3); Emmet Cohen (organ x 5); Jeff 'Tain' Watts (drums).
(Review by Lance).

The Aussie tenorman's 11th album, the 4th to grace these pages, and it's another belter! How could it not be with these guys? Roberts is undoubtedly suited to the organ trio set-up and B3 superman DeFrancesco spurs him on with that big fat sound he conjures from the beast and, on the tracks where Cohen is at the keyboards, Emmet does likewise.

On the up numbers such as Sly Old Dog Roberts goes for the jugular taking the tenor to the limit - soaring off the edge of the world - can a saxophone get rabies? Fortunately, just before the man in the white coat arrives, sly old dog that he is, Roberts takes it down to a mellow ending.

By contrast, Jack the Sipper is a cool bossa.

The last time I heard Little Man You've Had a Busy Day I think it was sung by Al Bowlly although it seems as though Clapton recorded it in 2016. It's a lovely tune displaying Robert's sensuous tone and he does it justice.

The Wizard of Ozroop, probably a reference to a town in the Outback, is another one that gives Roberts' fingers and embouchure a workout. The section where he and Watts go for broke had me applauding as if I was there! When Roberts steps down, Watts continues his onslaught behind Cohen before all three indulge in some fours.

The opener, My Girl is Just Enough Woman For Me, often featured in a Stanley Turrentine setlist and Roberts, DeFrancesco and Tain take it along at a nice easy pace. The tenorman making his virtuosity known early on.

Kern's Why Was I Born? is balladic perfection from both Roberts and Joey D with Watts, for once, suitably restrained (don't get me wrong, JTW is a man for all seasons) and I don't visualise the Kern estate taking action as they once did against Maynard Ferguson for his rendition of All the Things You Ain't!

Trams is smart - literally. The bassline like the title is played backwards! Troy is seemingly fond of compositional games. It swings.

The Waltz of Parting Days is suitably melancholic although if it is in waltz time it's not immediately apparent. It's still very listenable as is the whole album.

Of the 8 tracks Roberts composed 6. Not many tenor players around who can retain the lyricism of yesterday whilst heading for tomorrow - Troy Roberts is one such player.
Lance
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