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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, September 30, 2019

The Things We Did Last Summer

I'm currently semi-housebound - don't ask! - and, as so often happens in these situations, a song gets lodged in your head and you can't shift it - not that I particularly want to shift this one as it's one of the best and it didn't come from the pen of Gershwin, Porter, Kern, Berlin, Rodgers, Mercer or Carmichael. No, the music was by  Jule Styne and the words by Sammy Cahn. 

This was in 1946 and  it charted for Jo Stafford who sneaked her version out ahead of Sinatra's who, seemingly, wasn't pleased.

Instrumentally, among others, Fats Navarro, Roy Hargrove, Freddie Hubbard, Richie Kamuka and Buddy de Franco made impressive recordings. However, I'm going to sneak into Ann Alex territory and concentrate on the lyric.

It's typical American 1940's bobbysoxer baloney but, despite that, every line paints a picture:

The boat rides we would take, the moonlight on the lake, 
The way we danced and hummed our favourite song. 
The things we did last summer, 
I'll remember all winter long.

Can't you just picture the young couple falling in love in a holiday setting?

The midway and the fun, the kewpie dolls we won, 
The bell I rang to prove that I was strong, 
The things we did etc.

All the fun of the fair, the sideshows, the shooting gallery, the macho man striking the hammer and ringing the bell to impress the girl and maybe ringing her bell. 

The early morning hike, the rented tandem bike, 
The lunches that we used to pack. 
We never could explain, that sudden summer rain,
The looks we got when we got back.

The knowing glances from their friends when they came back late, was the rain just an excuse?

However,  the season, changes...

The leaves began to fade, like promises we made,
How could a love that seemed so right go wrong?
The things we did last summer, I'll remember all winter long.

That final verse is the masterstroke. Sammy Cahn has taken us on a journey of fun and frothy frivolity and turned it into a saga of heartbreak.
Lance

2 comments :

Liz said...

It has everything you could wish for, a great fave of mine, esp the "knowing looks" bit, it always did make me smile, so subtle, not hitting you in the face such as today's lyrics, thanks Lance for putting this into my head for the rest of tonight and onwards!

Ann Alex said...

Lance, I don't mind you straying into my domain, lyrics are for everyone to enjoy and these are seemingly straightforward but with effective images. Songs are more difficult to write than people imagine, as you have to make your point quickly and not wander all over the place, unless you are a songwriter who can 'wander' but still be interesting, eg Bob Dylan. Others may not agree that Dylan was good in his own way so I hope I haven't opened a can of worms, or rather a can of words.

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