Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18982 (and counting) posts since we started blogging 18 years ago. 846 of them this year alone and, so far this month (Oct. 8.) 25.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Monday, September 30, 2019

The Things We Did Last Summer

I'm currently semi-housebound - don't ask! - and, as so often happens in these situations, a song gets lodged in your head and you can't shift it - not that I particularly want to shift this one as it's one of the best and it didn't come from the pen of Gershwin, Porter, Kern, Berlin, Rodgers, Mercer or Carmichael. No, the music was by  Jule Styne and the words by Sammy Cahn. 

This was in 1946 and  it charted for Jo Stafford who sneaked her version out ahead of Sinatra's who, seemingly, wasn't pleased.

Instrumentally, among others, Fats Navarro, Roy Hargrove, Freddie Hubbard, Richie Kamuka and Buddy de Franco made impressive recordings. However, I'm going to sneak into Ann Alex territory and concentrate on the lyric.

It's typical American 1940's bobbysoxer baloney but, despite that, every line paints a picture:

The boat rides we would take, the moonlight on the lake, 
The way we danced and hummed our favourite song. 
The things we did last summer, 
I'll remember all winter long.

Can't you just picture the young couple falling in love in a holiday setting?

The midway and the fun, the kewpie dolls we won, 
The bell I rang to prove that I was strong, 
The things we did etc.

All the fun of the fair, the sideshows, the shooting gallery, the macho man striking the hammer and ringing the bell to impress the girl and maybe ringing her bell. 

The early morning hike, the rented tandem bike, 
The lunches that we used to pack. 
We never could explain, that sudden summer rain,
The looks we got when we got back.

The knowing glances from their friends when they came back late, was the rain just an excuse?

However,  the season, changes...

The leaves began to fade, like promises we made,
How could a love that seemed so right go wrong?
The things we did last summer, I'll remember all winter long.

That final verse is the masterstroke. Sammy Cahn has taken us on a journey of fun and frothy frivolity and turned it into a saga of heartbreak.
Lance

2 comments :

Liz said...

It has everything you could wish for, a great fave of mine, esp the "knowing looks" bit, it always did make me smile, so subtle, not hitting you in the face such as today's lyrics, thanks Lance for putting this into my head for the rest of tonight and onwards!

Ann Alex said...

Lance, I don't mind you straying into my domain, lyrics are for everyone to enjoy and these are seemingly straightforward but with effective images. Songs are more difficult to write than people imagine, as you have to make your point quickly and not wander all over the place, unless you are a songwriter who can 'wander' but still be interesting, eg Bob Dylan. Others may not agree that Dylan was good in his own way so I hope I haven't opened a can of worms, or rather a can of words.

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