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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

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Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 29, 2018

Daniel Karlsson Trio @ Jazz Café, Newcastle - Sept. 28

Daniel Karlsson (keys); Christian Spering (bass); Fredrik Rundqvist (drums).
(Review by Lance/Photos courtesy of Ken Drew).
JNE and I don't always work the same side of the street, although BSH usually has one or more of the team in attendance - rather like the St. John's Ambulance Brigade at soccer matches. Tonight I was that team player and I feel very fortunate that I was!
The standing room only scenario suggested something special was going to happen and it did.
Not surprisingly, there was a Nordic air about the room and there were some Scandinavians in the audience as well as on stage.
Many bands are described as being a 'Power Trio' and, to my ears, none fit the description better than this award-winning Swedish band.
There were no inter-round summaries by Karlsson, I suspect his English is limited to "thank you" and "a pint of Stella please". It didn't matter - the music spoke for itself.
Few, if any, of the originals were straight ahead wham, bang, thank you mam, compositions. Each one offered mood swings, tempo changes, rubato explorations, frenzied attacks, rhapsodic solo piano sections, occasional arco bass moments as well as times when Rundqvist kicked (figuratively speaking) seven shades out of the kit. 
Rundqvist is one amazing drummer. Always on the money, driving without overpowering, everything integrated into the overall picture and not an iPad between the three of them.
Spering's bass playing had a beguiling sound producing a vibrato-like effect when sustaining a note and, although he had an array of pedals at his feet they were used sparingly (Speringly?) and effectively.
The leader may have been a man of few words, but he certainly communicated through the keyboard. His technique dazzled but, on the rare balladic moments, he could also hit the emotive buttons.
Collectively, a well-drilled unit and none the worse for that.
Catch them, if you can, at Bristol on Sunday or else at various venues throughout Europe.
Lance.
Photos.

1 comment :

Rob Mallows said...

Sounds like it was a blast and carrying on the energy they created in London where I saw them.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance