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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,645 (and counting) posts since we started blogging 13 years ago. 1264 of them this year alone and, so far, 91 this month (Oct. 27).

From This Moment On ...

October

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Spooky Jazz @ The Shed, Wylam Library..
6:00-7:30pm. Free, collection for Parkinson's UK.
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 03: Washboard Resonators @ The Globe, Newcastle. 8:00pm.

Monday, September 03, 2018

Bruce Adams w. Al Wood Quartet @ St Augustine's Parish Centre, Darlington - September 2

Al Wood (alto/baritone); Bruce Adams (trumpet/flugel); Martin Longhawn (piano); Garry Jackson (bass); Tim Carter (drums).
(Review by Lance).
A most enjoyable early evening gig when this blog really did deliver what was on the tin. Bebop was most certainly spoken here in the form of Al Wood and Bruce Adams who played as if they'd been born and bred on 52nd St or, in the case of Wood, The Haig on Wilshire Boulevard. 
The Haig was the small club in LA where the original Gerry Mulligan Quartet first became known. I doubt if it was as big as Darlington's St. Augustine Parish Centre, the temporary home for Darlington Jazz Club, but for a couple of hours last night, the two venues were interchangeable.
The overriding theme was Gerry Mulligan and, in Al Wood, we had a baritone player more than capable of taking the lead role. On alto, Charlie Parker was the influence whilst Wood's' worthy constituent - Bruce Adams - played notes Chet Baker could only dream about. Dizzy was more his man.
To the rhythm section, Dizzy, Chet etc. were probably just names from the history books like Beethoven, Bach or Liberace. However, Longhawn, Jackson and Carter knew their history and they provided the two veterans out front with a launchpad. 
Apart from the well-known Bernie's Tune and Lullaby of the Leaves, Wood chose to cast his net further afield than tunes from the original quartet album so we had: Reunion; Swinghouse (written for the Kenton Band); Blueport; As Catch Can; Ode to a Flugel Horn and Motel
Away from Mulligan we also heard; Opus de Funk; Funk in  Deep Freeze; Groovin' High; Dat Dere and Friends Again; all played on alto, an instrument on which Wood is equally fluent.
Needless to say, Adams was his usual flamboyant self. No note too high - are there any better British trumpet players?  If there are I could count them on one hand after doing a blindfold test in a sawmill.
Apart from the leaders, the trio, despite being given limited solo space, seized the moment with Longhawn particularly outstanding.
100% perfect? Well, let's say 95%. I'd like to have heard Adams blowing flugel on a ballad, which I know he does so well and, likewise, Wood putting in some balladic baritone blowing. 
Apart from that minor observation, it was an excellent evening.
Lance.

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