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Bebop Spoken There

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Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Friday, September 14, 2018

Triptych @ The Fox, Hexham – Sept. 11

Paul Susans ( bass); Rob Walker (drums); Paul Edis (piano/clarinet). (Review/photos by Jerry E)

On the one hand, you never know what to expect form Triptych: self-proclaimed “genre-busters”, you may be cosy with Bacharach and David one minute (arranged for jazz, of course) and on the 12th Moon of Venus the next. On the other hand, you know exactly what to expect from Triptych: three top musicians, each capable of scintillating solos and composers in their own right, who visibly enjoy gigging live together and will always deliver a show where you may not know where it is going, but you know it will be great!

Before I go into more detail, a few words about the venue. I had never been to The Fox for a jazz gig before and, on entering, wondered how it could work. It’s basically open-plan, with a pool-table round the corner and, on the night, an England match on the TV. Seemed like a lot of competition for live jazz! In the event, the TV’s were switched off, the pool-players left and all was well. The pub has friendly staff, a nice atmosphere, 3 ales on in the front bar and (my missus loved this) fresh flowers in the bar and in the ladies loo (she informed me)! Comfortable!
After Mike (the organiser) introduced the band we were into Montage – an Edis original which I am familiar with from his second solo piano CD. A beautiful piece either way but, to be honest, I prefer the clean sound of solo piano. The same applies to tunes like Vignette which I first heard as a solo piece and later by the sextet. Perhaps I’m a piano man at heart?

Moonlight in Vermont followed, with Edis on clarinet and then, “back-to-back,” Paul Susans’ original, 12th Moon of Venus. Apparently there is no 12th moon, so I’m not sure what is going on there! The tune shone, anyway!

We then had the 73 Suite which featured at the Gosforth Civic Theatre gig in May. The set-list then was broadly the same as here, but (you never know what to expect) every number still took me by surprise! Here, returning to my comments about solo piano pieces, I really enjoyed hearing Cerebral in the mix with what I think of as the melody being played on bass guitar! The “suite” concept made for even more variety of pace, volume and style – down to solo piano at one point then moving through growly, distorted bass (lots going on with Paul Susans’ multi-pedal board here, and elsewhere on the evening) to (my notes) “rock mode, very loud, big build-up, crescendo, STOP!” The snappiest of snap endings to a great first set.

The second set began with Fragmented Suite (as played at GIJF 2018) consisting of three originals: Murmuration (Edis), Dr. Gonzo (Susans) and Dark Ages (Walker). “Original” often indicates a piece of music composed by someone who is not famous yet. I prefer the following definition for these guys: not dependent on other people's ideas; inventive or novel.

Individually, none of the above pieces can be assigned to a genre and labelled; collectively they amaze, delight and (possibly) disturb! Dark Ages is (for me again) the stand-out piece of the evening: unbelievably dark and atmospheric with Walker’s percussion (sadly no udu drum this time!), Edis’ clarinet and Susans’ bowed bass (with a loop and possibly other effects from the magic pedal-board) building up an incantatory magic which haunts long after the event.

How to follow that? With, “back-to-back,” The Wall (or was that The Waal?) and Mr Blister – that’s how. The former, at Gosforth, was badged A69, or some such, and is a driving, melodic (at times, dare I say, quite poppy) number from Susans. The latter is raucous, loud, infectiously funky and encapsulates an almost classical piano solo midway (you never know what to expect!).

The encore – a perfect antidote to Dark Ages – was another original, the optimistic belter entitled Half Full, where Edis, and the audience, really had a ball.

For Triptych, and for The Fox, keep your eyes on Bebop listings then “view halloo and tally-ho!” Both are worth hunting down.

Jerry.

1 comment :

Steve T said...

Seen this band a couple of times and, despite being a self-confessed piano trio philistine, I've always enjoyed them, but never this much.
Great to have bands that don't just think in terms of verse/chorus/solo or head, solo, solo, solo, solo, head. It's jazz reader, but not as we know it: prog-rock (albeit the jazz end), jazz-rock, jazz-funk, Susans getting lots of Bootsy style noise from his bass, and Lord Paul reminding me, for the first time, of Crusader Joe Smple and even maybe Ramsey Lewis, his clarinet - an instrument I never cared for before I heard Django and Edis - bringing relief, texture and variety.
Totally agree with Paul in his praise of the venue and the organiser for putting this on every month.

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